All three previously married but now single, best friends sculptress Alex Medford, cellist Jane Spofford and writer Sukie Ridgemont are feeling emotionally and sexually repressed, in large part due to the traditional mores overriding their small New England coastal town of Eastwick. After their latest conversation lamenting about the lack of suitable men in Eastwick and describing the qualities they are looking for in a man, mysterious Daryl Van Horne and his equally mysterious butler Fidel arrive in town. Despite being vulgar, crude, brazen and not particularly handsome, Daryl manages to be able to tap into the innermost emotions of the three friends, and as such manages to seduce each. In turn, the three women blossom emotionally and sexually. After an incident involving one of the town's leading citizens, the ultra conservative Felicia Alden, the three women begin to understand how and why Daryl is able to mesmerize them so fully. The three decide to experiment with some powers ...Written by
Filmmaker George Miller went all the way back to Australia after penning The Witches of Eastwick because he found producer Jon Peters' input to be a burden and obnoxious. See more »
Near the end when the babies are in their ringed walkers heading towards the TV wall, we can see that none of them are actually walking. See more »
You don't have to come today, you know, I mean, if you don't want to.
No, sweetheart, I want to, it's just that I have a million things I have to do first.
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Three lonely New England women (Cher, Susan Sarandon and Michelle Pfeiffer) dream of a man to satisfy their every need as they suffer from isolation with their husbands constantly away. That man---Jack Nicholson (always on a lucky streak it seems). Wicked little comedy with Jack going over the top and having great fun with the helter-skelter material. The women (Cher and Sarandon in particular) match his intensity and the star power makes up for the crazed screenplay and unsteady direction by George Miller. Overall I liked "The Witches of Eastwick". I am not quite sure why I did, but once again Nicholson proves that if there is just enough substance available that he can raise mediocre film-making techniques and share the spotlight with his fellow co-stars. 4 stars out of 5.
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