A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
Now out of prison but still disgraced by his peers, Gordon Gekko works his future son-in-law, an idealistic stock broker, when he sees an opportunity to take down a Wall Street enemy and rebuild his empire.
The story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
On the Wall Street of the 1980s, Bud Fox is a stockbroker full of ambition, doing whatever he can to make his way to the top. Admiring the power of the unsparing corporate raider Gordon Gekko, Fox entices Gekko into mentoring him by providing insider trading. As Fox becomes embroiled in greed and underhanded schemes, his decisions eventually threaten the livelihood of his scrupulous father. Faced with this dilemma, Fox questions his loyalties.Written by
At the time, Michael Douglas was better known as a producer. Oliver Stone was warned that Douglas would micromanage the film and undermine Stone. Stone hired Douglas anyway, and Douglas did not micromanage. See more »
In the Bluestar Airlines boardroom, the entire aircraft fleet to be sold is referred to as 737s. A previous scene in the Bluestar hangar, showed a DC-9 and a BAC 1-11. See more »
[a crowd of businessmen stampede into an elevator]
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Michael Douglas deservedly won an Oscar for his portrayal of the ruthless, chain-smoking capitalist guru, Gordon Gekko, who leads Charlie Sheen's Bud Fox down the garden path to Wall Street's hidden abyss. Good supporting cast includes Sean Young, James Spader, reliable Hal Holbrook, and the wonderful Sylvia Miles. Tight direction, perceptive script with realistic techno-lingo, fabulous production design, dazzling cinematography of the Manhattan skyline, and hip 80's music rev up the technical quality of this Oliver Stone "message" film. If only the message had been more reassuring.
Gekko is a villain and an outlaw, but mostly he comes across to viewers as a worldly tough guy, a charming bully with a glamorous lifestyle. We see his high-class mega-office, his plush home and chic wife, his expensive paintings, his rapid-fire commands to his robotic lieutenants, his snazzy clothes and "in vogue" friends. Here and there we see his frustrations, but that only accentuates his toughness. We do not see him suffer, nor do we see the consequences of his selfish, Machiavellian behavior.
As a result, to viewers, especially to those youthful, bright, materialistic Americans with a smug, "can do" attitude, and disdain for ethics, Gekko is, unfortunately, someone to admire, a Wall Street role model.
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