Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
Little known actor, Jack Noah, is working on location in the country of Parador at the time the dictator dies. The dictator's right hand man, Roberto, makes Jack an offer he cannot refuse..... See full summary »
Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ... See full summary »
A corporate raider threatens a hostile take-over of a "mom and pop" company. The patriarch of the company enlists the help of his wife's daughter, who is a lawyer, to try and protect the ... See full summary »
Penelope Ann Miller
One step short of larceny, the aluminum siding salesmen in this movie sell their wares, compete with each other, and engage in a lot of great dialog. Tin Men focuses on the rivalry between BB Babowsky and Ernest Tilley. At the same time, the end of small world of which they are kings looms near as a government probe investigates their industry.Written by
In this Baltimore-based story, during a scene in the bar, there is a Busch promotional light on the wall. The movie is set in the 1960s, but Busch beer was not licensed for sale in Maryland until the late 1970s. See more »
You know when I saw 'Bonanza' the other day, something occurred to me.
Ya got these four guys living on the Ponderosa and ya never hear them say anything about wanting to get laid.
I mean ya never hear Hoss say to Little Joe, "I had such a hard-on when I woke up this morning."
No, no, no...
They don't talk about broads - nothing. Ya never hear Little Joe say, "Hey, Hoss, I went to Virginia City and I saw a girl with the greatest ass I've ever seen in my life." They just walk around the...
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Rival aluminum-siding salesman declare war in another of director Levinson's returns to his hometown Baltimore, with Dreyfuss and DeVito playing the two feuding parties who constantly try to one up one another in a series of silly and childish gags. That's where the film falters, but it is in the charming performance of Hershey where the film is successful. Considering she's the only character with morals in the entire piece, she's the one you care for and root for. (An especially wonderful scene with DeVito on the porch when the IRS has taken his house.) Dreyfuss and DeVito, with exception to the silly gags the writers engaged their characters in, are in fine form, as always. Stand out performances from Mahoney as a real "tin man," and comedien Jackie Gayle, who has a fixation with knocking "Bonanza," are excellent.
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