Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
Little known actor, Jack Noah, is working on location in the country of Parador at the time the dictator dies. The dictator's right hand man, Roberto, makes Jack an offer he cannot refuse..... See full summary »
A corporate raider threatens a hostile take-over of a "mom and pop" company. The patriarch of the company enlists the help of his wife's daughter, who is a lawyer, to try and protect the ... See full summary »
Penelope Ann Miller
The movie centers on a piano competition whose winner is assured of success. It is Paul's last chance to compete, but newcomer Heidi may be a better pianist. Can romance be far away? Will ... See full summary »
Harry Valentini and Moe Dickstein are both errand boys for the Mob. When they lose two hundred fifty thousand dollars, they are set up to kill each other. But they run off to Atlantic City, and comedy follows.
The escaped delinquent John W. Burns, Jr. replaces Dr. Maitlin on a radio show, saying he's the psychiatrist Lawrence Baird. His tactless radio show is a hit, and he becomes very popular. ... See full summary »
One step short of larceny, the aluminum siding salesmen in this movie sell their wares, compete with each other, and engage in a lot of great dialog. Tin Men focuses on the rivalry between BB Babowsky and Ernest Tilley. At the same time, the end of small world of which they are kings looms near as a government probe investigates their industry.Written by
Barry Levinson's attractively lopsided comedy marked his tentative return to Earth (to be more specific, the city of Baltimore circa 1963) after serving time on the Steven Spielberg assembly line (in 'Young Sherlock Holmes'). The idea of a film depicting the cutthroat antagonism between two aluminum siding salesmen must have been alarming to the people at Touchstone Pictures, who no doubt insisted on certain commercial concessions, including a strictly gratuitous appearance by the pop group Fine Young Cannibals (out of place in the early '60s setting), and the casting of two high-profile names in the title roles (an allusion to the heartless hero of Oz). Danny DeVito and Richard Dreyfuss portray the disreputable rival salesmen who become mortal enemies after a minor fender bender dings their new Cadillacs. Both are reliable comic talents, but the highlights of the film are the lengthy digressions from the plot, with a (largely unknown) cast of supporting actors improvising loopy, crisscrossing conversation over coffee and donuts. Despite the effort Levinson may have put into his screenplay it's the unscripted banter that leaves the best impression, winning points for unpredictability in an original but otherwise uneven comedy.
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