This movie interlaces the stories of several characters in a small town united by their use of CB (citizen's band) radio. Paul LeMat is the local CB coordinator who has time for little else... See full summary »
Rock-music lover and feature-film director Jonathan Demme takes on eccentric British singer-songwriter, Robyn Hitchcock, in an ambitious concert film. Setting up a stage in a New York ... See full summary »
Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.Written by
Peter Goldsack <email@example.com>
[On Cambodia's history and people]
What a fantastic land it was, how it was Shangri-La before it was colonized... Thailand was a Nordic country compared to Cambodia, and they're right next to each other. And he said 90% of the land was owned by the people; it was earth, it was dirt, but it was THEIRS, and it was good. And-and they knew how to have a good time. They knew how to have a good time. They knew how to have a good time getting born, a good time growing up, a good time going through ...
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A&E cuts out the part of the sex performer doing tricks with her vagina (including the banana hitting the wall, which Gray alludes to early in the act.) In addition, the scene uses different close-ups, and ends with "boobly oobly." See more »
Spalding Gray calls his version of performance art a "talking cure." The facts, opinions, insights, fears and hopes drawn from the epiphany he received from his experiences in the Asian Rim shooting "The Killing Fields" and his education of the plight of the Cambodian people circa early to mid seventies is overwhelming. This is a story of the human condition as told by a master. He is Dr. Frankenstein creating the monster that is ourselves through a tapestry of wordplay that never seems overwrought or cumbersome in the slightest. This movie is one man reading from a standard notebook, behind a plain table accented with a glass of water and shadowed by a ceiling fan and selection of maps. Demme's use of lighting and Laurie Anderson's soundtrack provide all the dramatic power needed to sustain Gray as he literally helps us all better understand life, humanity and our responsibilities to each other while we spend time on this planet. Intense, funny, heartbreaking and invigorating; this movie inspires and changes all who watch it.
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