This movie interlaces the stories of several characters in a small town united by their use of CB (citizen's band) radio. Paul LeMat is the local CB coordinator who has time for little else... See full summary »
An undercover FBI agent falls in love with a recently widowed mafia wife, who is trying to restart her life following her husband's murder while being pursued by a libidinous mafia kingpin seeking to claim her for himself.
Spalding Gray sits behind a desk throughout the entire film and recounts his exploits and chance encounters while playing a minor role in the film 'The Killing Fields'. At the same time, he gives a background to the events occurring in Cambodia at the time the film was set.Written by
Peter Goldsack <email@example.com>
[On dealing with the annoying upstairs neighbor]
Renee? Renee's father was in the Jewish Mafia. She knows the language. She grew up in the streets of New York. She calls her up and goes, "BET YA WANNA DIE, RIGHT, BITCH? CUNT, I'LL BEAT YOUR FUCKING FACE IN WITH A BASEBALL BAT! BITCH! CUNT! DIE! DIE! DIE!"
[Spalding slams the "phone" down hard]
Music goes louder. Renee figures the woman's a masochist and is getting off on the language.
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A&E cuts out the part of the sex performer doing tricks with her vagina (including the banana hitting the wall, which Gray alludes to early in the act.) In addition, the scene uses different close-ups, and ends with "boobly oobly." See more »
"Swimming to Cambodia" is an amazing piece of work. One of Spalding Gray's monologue pieces, it features him taking a story that seems like it should have been only mildly interesting and turning it into poetry. Directed by the incomparable Johnathan Demme and featuring music by the brilliant and eccentric Laurie Anderson, Gray recounts his experiences in the filming of "The Killing Fields." Gray's words tell of bizarre, disturbing, exciting and moving experiences in exotic locales. His words move from beautiful to disgusting, hopeful to horrifying, and always with a masterful lyricism that places him as one of the absolute masters of the English language! The book (published 1985) is supposed to be a great read, but the film of Gray himself telling the stories is an experience beyond compare. Spalding Gray's genius will be greatly missed.
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