5.3/10
726
8 user 12 critic

Surrender (1987)

PG | | Comedy | 9 October 1987 (USA)
A wealthy writer, who has had terrible experiences with money-hungry girlfriends and ex-wives, pretends to be a broke, washed-up novelist, to see if the woman he loves wants him for himself, or just for his money.

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Cast

Cast overview, first billed only:
... Daisy Morgan
... Sean Stein
... Marty
... Jay
... Ace Morgan
... Ronnie
... Joyce
... Hedy
Michael A. Andrews ... Hooker
Jerry Lazarus ... Mr. Chobanian
Tony Borgia ... Tony
Frank Dicopoulos ... Thug
... Thug
Dominic Messina ... Thug
... Judge
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Storyline

A wealthy writer, who has had terrible experiences with money-hungry girlfriends and ex-wives, pretends to be a broke, washed-up novelist, to see if the woman he loves wants him for himself, or just for his money.

Plot Summary | Plot Synopsis

Taglines:

A comedy about two people who wanted each other in the worst way...and that's how they got each other.

Genres:

Comedy

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

9 October 1987 (USA)  »

Also Known As:

Cordes et discordes  »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$2,256,557, 12 October 1987, Wide Release

Gross USA:

$5,711,976
See more on IMDbPro »

Company Credits

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Technical Specs

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Sound Mix:

Color:

(TVC)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This picture has never been officially released on DVD anywhere. See more »

Quotes

Sean Stein: Your honor, is this justice?
Judge: You're asking the wrong guy.
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User Reviews

 
Sally Field works hard, but this script is beneath her...
29 September 2005 | by See all my reviews

Sally Field has such a rapport with the camera that movie audiences immediately relate to her highs and woes; it's gratifying to see her in a sunny, upbeat comedy, and one almost wants to let "Surrender" pass just on the basis on Field's energy and charisma alone. Alas, it's a film built on such an overworked premise--love and money--that goes off into so many perplexing directions, it results in being one of Sally's weakest movie vehicles. Michael Caine does what he can with silly role of wealthy writer taken to the cleaners by women over the years, meeting assembly-line artist Field and pretending to be poor (but of course, she's the one pure lady who wouldn't care if he had money or not). There are some interesting bits in the film: a date to the airport--to watch the planes fly overhead--is curious and amusing (and looks good on film) and the embarrassing way in which the two lovers meet. But not enough wit was put into the basic make-up of the story, which plays like something from the Doris Day-Rock Hudson generation. That's OK if the picture has the wit and snap of "Lover Come Back", but "Surrender" is terribly insecure and unsure of itself. ** from ****


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