Another dazzling suburban phantasm from writer-director Todd Haynes, Dottie Gets Spanked (made post-Poison and pre-Safe) is a stylized, bittersweet nod to his childhood fascination with I ... See full summary »
J. Evan Bonifant,
In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
Karen and Richard Carpenter are young musicians living with their parents in Downey, California. Richard shows great promise as a songwriter and Karen, who plays drums, begins to sing vocals, thrusting the duo into stardom. They become wildly successful, Karen's striking voice and Richard's soft melodies capturing the essence of the nation's yearning for calm after the turbulent Sixties. But Karen strives for perfection and becomes increasingly fearful of her weight, despite being a slender woman. Eventually she is diagnosed with anorexia nervosa, a mental disease relating to stress, lack of control, and low self-esteem. A fight for Karen's life ensues.Written by
Jim Beaver <email@example.com>
Ranked #45 on Entertainment Weekly's "Top 50 Cult Films of All-Time" See more »
In the opening sequence, as the camera rounds the corner on its way into Karen's bedroom, a crew member is visible at the end of the hallway. See more »
Did you notice the way she cleaned her plate?
Mother, didn't you know there are children starving in Africa?
But it's true, she's even back to her old favorites now: chili and tacos.
And that 3-course meal at St. Germain's, after the Grammy reunion.
You haven't lost a pound.
A hundred and eight!
Mother, Karen, Richard:
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There are no ending credits, the film ends after shots of newspaper headlines detailing Karen Carpenter's death. See more »
When I first heard of a Karen Carpenter movie acted out by Barbie dolls, I thought, "Yeah, right." Actually, it's not half-bad, revealing the ugly side of brother Richard and their parents. It's a shame the movie has been only available through the underground, though, as it portrays the heart-breaking effects of anorexia through clinical narration, montage, and pop culture to great effect. The use of dolls is actually ingenious, as we come to see how Karen was manipulated by her family, her record company, and society to conform to unattainable perfection. Although banned by numerous lawsuits, this film is available through alternative resources. If you look hard enough, you can find it.
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