Another dazzling suburban phantasm from writer-director Todd Haynes, Dottie Gets Spanked (made post-Poison and pre-Safe) is a stylized, bittersweet nod to his childhood fascination with I ... See full summary »
J. Evan Bonifant,
In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
"Tells the story of a group of Chilean children who discover a larger reality and a different world through the cinema. Each Saturday, Alicia Vega transforms the chapel of Lo Hermida into a... See full summary »
Little Gerta, when her mother dies. is brought to her father, Carl Von Seydling, a government official, who deserted his wife and child a few years before. Councilor Van Seydling found the ... See full summary »
Georg af Klercker
Nikolai, a mortician, and Osip, an actor playing Christ in a play, are brothers in love with the same woman. Anna, a state scientist and said woman, is in love with both brothers and ... See full summary »
Karen and Richard Carpenter are young musicians living with their parents in Downey, California. Richard shows great promise as a songwriter and Karen, who plays drums, begins to sing vocals, thrusting the duo into stardom. They become wildly successful, Karen's striking voice and Richard's soft melodies capturing the essence of the nation's yearning for calm after the turbulent Sixties. But Karen strives for perfection and becomes increasingly fearful of her weight, despite being a slender woman. Eventually she is diagnosed with anorexia nervosa, a mental disease relating to stress, lack of control, and low self-esteem. A fight for Karen's life ensues.Written by
Jim Beaver <email@example.com>
The film was pulled from circulation in 1990, after a cease-and-desist order for unauthorized use of The Carpenters' music. As of 2016, sale or distribution of the film remains illegal. Hundreds of bootleg copies have been sold. See more »
In the opening sequence, as the camera rounds the corner on its way into Karen's bedroom, a crew member is visible at the end of the hallway. See more »
Following World War II, and the end of rationing in the early 50s, America was reacquainted with food as plentiful and cheap. There were vast changes in food delivery, availability and storage. Refrigerators, already a part of the American kitchen, became common place and thus eliminated the need for daily shopping. The growth of supermarkets with their rows and rows of dairy products, canned goods, meats, condiments, bakery goods, vegetables, fruits and staples, brought a large display of food...
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There are no ending credits, the film ends after shots of newspaper headlines detailing Karen Carpenter's death. See more »
Unexplainably brilliant. You have to see it to believe it, really.
Understandably suppressed by Richard--I won't spoil it for you--it is at turns hiariously bitchy, grotesque, tender, and cruel. At the same time, it elevates the subject matter, leaving this viewer with a much deeper sense of appreciation for the Karen. I laughed at them, and it made my like both of them more.
The story is dramatized through carefully and minutely constructed sets populated by Barbie dolls clothed in carefully crafted period clothes. Karen's descent into anorexia is represented through whittling down the face and arms of the Barbie doll that portrays her, which has an effect both hilarious and disturbing.
All in all, it feels so much like a "real" documentary, I can't tell you that it isn't. It's treatment of the subject of annorexia and it's effect on Karen's life is at once silly and serious.
I saw it on DVD. The box had next to nothing printed on it. It was obviously bootlegged from somewhere, but the print I saw had good quality audio and visual.
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