Street Smart

Pretty good movie with an early Morgan Freeman as a pimp. Most of the characters that Freeman plays (especially of late) are good hearted, good natured and easy going that make him a likable character, viewers come to expect that type of character but this one reminds me of the one Denzel Washington played in Training Day. Hard, mean, and ruthless; totally opposite from what we're used to seeing from either actor, but a refreshing change. The fact that it's the complete opposite from their usual rolls give them that much more impact.

And while movie ad excerpt quotes praising performances are almost always the sign of a stinker (damning with faint praise), in this case, I think Morgan Freeman's performance is worth this movie alone. It's nuanced, and a perfect study of a sociopathic personality. Freeman plays a total predator, who will brutalize without conscience, but will pour on immense charm in the next second as a way of manipulating others. No one had ever heard of Morgan Freeman before this movie...but he was nominated for an Oscar for this performance. He should have won it! The energy level on screen goes down infinitely when Freeman is not present. Kathy Baker also does a decent job as one of Fast Black's prostitutes. All in all, the movie was enjoyable, had a good story-line and is a must-see for Morgan Freeman fans and Christopher Reeve fans.

Overall rating: 7 out of 10.

I just finished watching this film and I'm stunned...stunned. Morgan Freeman's performance was the best acting I have seen in a long time. The passion he put into his character was raw and powerful. It had me going "Wow." The movie was interesting- moments of tension. I did not think Christopher Reeve did a great job of his character- mediocre for cinema. He pulled it off well enough to get me into his character. Maybe his mediocre performance was who the character really was. There is no way of knowing the answer to this question. It could be either, or. Everyone you meet in the real world and in fantasy is not a dramatic, stunning personality. There wouldn't be any room for people's egos! Who says his performance was not true of the character. The character was who Reeve was.

The message of this film is very true. Don't lie. If you do make a mistake, if you lie, admit up front that you have. Otherwise, it's likely your lie will come back times 3. This is a lesson we should all have to learn one day. I hoped this review pleased someone. Take care and have a joyous and peaceful life. Good bye, Chauncey

If It wasn't by the performances of Morgan Freeman and Kathy Baker, I would have given 5 stars to "Street Smart", but such performances elevate the category of a modest movie.

I didn't like the plot of the movie, but at least this movie doesn't bore you and keep you entertained, this movie is similar to the police movies made for TV, and I liked the shots of different parts of NY.

The plot of the movie is about a journalist who invent a story about the life of a fictitious pimp called Tyron that is published in the magazine where he writes. The law confuses this factitious pimp Tyron with real life pimp "fast black" (Morgan Freeman) who is being accused for murder, so the law ask the journalist to deliver all his notes and tapes about his interview with the pimp to arrest Fast Black.

There are 2 great scenes in the movie, in one scene the journalist is seduced by Punchy, who is one of the girls of Fast Black", where Kathy Baker who plays Plunchy looks really sexy (10 stars for her in this scene). And the other scene which is the best in the movie from an acting point of view involves the characters of Morgan Freman and Kathy Baker, you will know what scene I mean when you see it.

In short you have to watch this B movie for the performances of Morgan Freman and Kathy Baker

I found this movie to be very entertaining and well done, with good performances across the board. I agree with previous reviewers that the late Chris Reeve's performances in other movies, and at times this one, could be seen as wooden. That being said, I think he played his role extremely well, because it was able to work with Morgan Freeman's outbursts and explosions. Because of the problems encountered by his fabricated story, Reeve's performance was handled well being outside of his environment as much as he was. He was unsure and understated, and being a reporter, being unemotional was in his well being. On the other end, Morgan Freeman was fantastic! Seeing him in a role like this makes you want to see him take on a role where he can be the loose cannon.

This movie can show what happens when you "create" a story and you do it TOO well. More people should see it and comment on it.

Jerry Schatzberg (Scarecrow, Panic in Needle Park) can be an attentive director to the mundane and the types of people in urban environments left by the wayside, but he needs something of a really powerful script to work with. For some of its powerful and intriguing and sometimes oddly funny scenes, Street Smart doesn't have a great script. It is mostly conventional, in fact, tailored for Christopher Reeve's pet project (apparently he got to star in this thanks, and/or no thanks, to Superman 4), and it is also tailored for what Reeve can do as a somewhat limited actor. He's a great star in the sense of his presence and charm on camera, but can only be taken so far as to how he can work with other actors, or what he has to work with which is usually not very much. Thankfully, there's one actor that shoots to the moon and outshines everybody by a mile, particularly for this kind of project.

(Reeve's) character Jonathan in Street Smart is a journalist who's down on his luck with stories until he comes up with a sure-fire bet to spring him back: the day in the life of a pimp for New York magazine (yes, New York has done and still does these kind of profiles). At first, he just makes it up with a person named 'Tyrone'. But it turns out his story, which includes details of a murder, fits relatively (or a lot) with Fast Black (Morgan Freeman), a take-no-prisoners thug in the guise of a man of the streets who is a force of evil, but a devilishly charming one at that, turning on a dime from street-savvy pimp to ruthless abuser and, as it turns out, killer. Jonathan thinks it'll be alright despite what was or wasn't in the written piece, and meets with and follows along Fast Black for a day. It soon starts to go further down from here.

Schatzberg does best in capturing this now (thankfully) wiped-away street life and porno district along Times Square and in other parts of New York, going along at times casually- too casually perhaps- in getting this mood down. He also neglects certain things in the story, like the importance of Jonathan's own flaws and fooling around with a prostitute, and some details about him as a TV news reporter. And yet, even with faults in the writing, Schatzberg got one thing incredibly right: casting Freeman as Fast Black. This is a part that could have been played up, maybe even as an exploitation flick, but Freeman takes hold of it and creates his breakthrough film performance (it was shortly after this he got Lean on Me and Driving Miss Daisy). It would be one thing if he hammed it up, but somehow he doesn't; his Fast Black is a lucid, hot-headed, vicious but somehow human villain in Street Smart, and he ends up bringing out the best in Reeve and Kathy Baker and his other co-stars like his prostitutes, including one terrifying scene where one asks to quit.

Years from now, when Freeman likely will get some AFI tribute or something or lifetime achievement on TV, Street Smart might be neglected among his most famous parts but shouldn't be. It's a case of an actor raising material, which is neither spectacular or mediocre but just about alright 80s material, higher than it deserves to be, which is both a credit to him and to Schatzberg for reeling him along just right.