That psycho stepfather has escaped from the insane asylum and had his face surgically altered. Now he's married again, this time to a woman with a child in a wheelchair. He goes on a ... See full summary »
Michael returns home from military school to find his mother happily in love and living with her new boyfriend. As the two men get to know each other, he becomes more and more suspicious of the man who is always there with a helpful hand.
Following the disappearance of his teenage daughter, Dougie Molloy moves in with divorcee Maggie Shields in the hope of starting again. All is well until his new stepdaughter Scarlett goes missing too, and the past comes back to haunt him.
A psychotic man, troubled by his childhood abuse, loose in New York City, kills young women and takes their scalps as his trophies. Will he find the perfect woman in a photographer, and end his killing spree?
A family-values man named Jerry Blake marries widows and divorcées with children in search of the perfect family. As soon as his new family members show signs of being human and not robots who will march unquestioningly to his tune, his dreams of domestic bliss begin to crumble, and he kills them. Then he alters his appearance, assumes a new identity, and skips to another town to begin the deadly ritual all over again. He marries Susan Maine, who sees him as the ideal surrogate father for her teenage daughter Stephanie, and he is soon up to his old tricks when she proves to be too much of a troublesome teen to handle.Written by
Performed by Divinyls (as Divinyls)
Music and Lyrics by Christina Amphlett (as C. Amphlett) and Mark McEntee (as M. McEntee)
Published by Astute Lullaby Kings/Rare Blue Music, Inc. (ASCAP)
Courtesy of Chrysalis Records, Inc. See more »
Terry O'Quinn is excellent here. He has a definite menacing presence, and his subdued behavior around people only heightens the shock of his raging outbursts. However, the mediocre script ruins what could have been a great film. As a character study of O'Quinn, this would have been chilling and effective. But it makes for a mediocre thriller. O'Quinn plays a psychotic man obsessed with perfection, and the ideal "American Dream". Inevitably, his family disappoints him, so he creates a new identity, kills them and moves on. The scenes with Jerry are strong and frightening, but the film becomes formulaic when we're introduced to Jim, who amazingly discovers a vital clue to his whereabouts in a few minutes of poking around. The police missed this? Too many dumb plot points and the predictable finale spoil it. O'Quinn's performance deserved a better film.
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