In Queens, Mike Keegan is celebrating with his wife Ellie, his son Tommy and friends his recent promotion to detective in a precinct in Manhattan. Meanwhile, in a fancy club, the socialite Claire Gregory witnesses the murder of the owner of the place by the powerful mobster Joey Venza. Mike is assigned to protect her in the night shift in her apartment in Manhattan. When Venza threatens Claire, the contact of Mike with Claire gets closer and conflicts him, dividing between the love for his family and the heat passion for Claire and the fascination for her world.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
"So the film opens with a shot of Manhattan, then cuts to the art deco entrance of Rex in downtown Los Angeles and follows our characters as they walk through the doors and into the interior of the Queen Mary [ship]. Architecture and style hold the whole thing together" explained director Ridley Scott. See more »
The newspaper which Mike is carrying on his way to his first shift guarding Claire has the word "SUPERMEN!" on the back page. He is carrying an identical newspaper three or four days later. See more »
Det. Mike Keegan:
Hey! We got food back there, you know; all right? Hey, thanks for comin' - good to see ya. Come on in, get a drink. T.J...
Det. Mike Keegan:
Set 'em up with a drink.
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As other reviewers have noted, the story is none too special, quite generic. But even a generic story can be made memorable by good writing, good acting, and good directing; this movie has all three of those. Tom Berenger as the somewhat naive and vulnerable work-class junior detective. Mimi Rogers (who I did not even recognize initially, with the 80's hairstyle), as the upper-class murder witness. And even the supporting cast were all great. Nobody overacted, and no cliches. I credit the director, Ridley Scott, for keeping it low-key and believable.
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