A young tomboy, Watts, finds her feelings for her best friend, Keith, run deeper than just friendship when he gets a date with the most popular girl in school. Unfortunately, the girl's old boyfriend, who is from the rich section of town, is unable to let go of her, and plans to get back at Keith.Written by
When Keith and Amanda leave Hardy's house at the end, Keith unfastens the top button of his shirt and he untucks it from his trousers. As he walks down the drive, and runs after Watts his shirt is tucked in again. See more »
And you didn't use me? God, you hypocrite! What's hanging in that museum, huh? My soul? No, it's my face. You're using me to pay back every guy with more money and more power than you. Paint it in any colour you want. It's still you using me.
I know it's not as well known, but this film came together so well that it can't be denied. A great mix of comedy and teen melodrama, this film perfectly combined all the best elements of a John Hughes film. By switching the sexes- Eric Stoltz as Molly Ringwald, and Mary Stuart Masterson as Jon Cryer- of "Pretty in Pink", the film delves deeper than "The Breakfast Club"- almost accidentally. The chemistry between Stolz and Masterson is powerful and real, something missing in almost all John Hughes films, and it pays off. This one has stayed with me since it came out, and I've watched it since and it holds up really well. Great supporting actors like John Ashton and Elias Koteaus provide fun comedy breaks, and little Candace Cameron as the little sister is terrific too- she went on to great TV fame. But the strength of the film is the fine acting. Stoltz has the harder more thankless role, and gives it a depth and charm that are a relief to see, and Masterson all but steals the movie. Together they are John Hughes best couple, even though he didn't direct this film.
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