4.2/10
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4 user

Slate, Wyn & Me (1987)

Meandering drama of Brothers Burke and Sacks, who rob a bank, kill a cop and kidnap Thornton, a witness to their crime.

Director:

Don McLennan

Writers:

Georgia Savage (novel), Don McLennan (screenplay)
Reviews
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Sigrid Thornton ... Blanche McBride
Simon Burke ... Wyn Jackson
Martin Sacks ... Slate Jackson
Tommy Lewis ... Morgan
Lesley Baker Lesley Baker ... Molly
Harold Baigent Harold Baigent ... Sammy
Michelle Torres Michelle Torres ... Daphne
Murray Fahey Murray Fahey ... Martin
Taya Straton Taya Straton ... Pippa
Julia MacDougall Julia MacDougall ... Del Downer
Peter Cummins Peter Cummins ... Old Man Downer
Reg Gorman Reg Gorman ... Wilkinson
Warren Owens Warren Owens ... Tommy
Eric McPhan Eric McPhan ... Policeman
Simon Westaway Simon Westaway ... Policeman
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Storyline

Meandering drama of Brothers Burke and Sacks, who rob a bank, kill a cop and kidnap Thornton, a witness to their crime.

Plot Summary | Add Synopsis

Taglines:

They robbed a bank, shot a cop, and stole a car. But their worst crime was trusting a woman. See more »

Genres:

Action | Crime | Drama | Romance

Certificate:

R | See all certifications »
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Details

Country:

Australia

Language:

English

Release Date:

20 November 1987 (USA) See more »

Also Known As:

Ein tödliches Trio See more »

Filming Locations:

Swan Hill, Victoria, Australia

Company Credits

Production Co:

FGH, Film Victoria, Hemdale See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The film was made and released about four years after its source novel "Slate and Me and Blanche McBride" by Georgia Savage had been first published in 1983. See more »

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User Reviews

 
Plot Elements Twined By Attention To Detail.
24 September 2005 | by rsoonsaSee all my reviews

The Memory Hole has claimed this well-crafted Australian film that employs the anti-war movement encompassing the Viet-Nam "conflict" as food for its themes and plot, presenting action upon two continents from 1966 until 1982. The screenplay, co-written with bite and taste by Paul Davies and director David Baker, depicts events in the young lives of Niel (Paul Williams) and Eric (Brandon Burke), including their tangled friendship in addition to their relationships with Fennimore (Sigrid Thornton) and Patricia (Judy Morris) in a climate of social and cultural upheaval that marked the period in Australia as it did throughout most of the developed world. Niel is a conservative law student and Eric a rebellious painter as action opens in Ballarat, moves to Melbourne, then to a Vietnamese combat zone, finishing back in Melbourne after 16 years, an obviously large expanse of time to present complex subject matter, but it is successfully accomplished here and with only a moderate budget, to boot. Direction by Baker is consistently inventive from the opening frames, and additionally presents a point of view, combining a polished mise-en-scène with adroit use of montage to portray the struggles of the principal characters in search of moral truths among the chaos that rages about them during an era of international discord. The acting is impressive by all throughout the production, with creative character development allowed by the director, and contributions by specialists are noteworthy, specially from Bruce McNaughton for inventively lit cinematography, Robbie Perkins for his production design and Thornton's arresting apparel, Chris Neal for an artful score, and nearly perfect editing by Don Saunders. There are some shortcomings with continuity, to be expected in a case of such ambitious undertaking, but these are offset by able writing within a neatly balanced script, and some lumpish handling of extras is minimal considering the limited resources available. Many may not recall or be aware of the important role that Australia played in Vietnam, that included drafting of civilians into military service; this is an interesting background for a work that focuses upon the conceits of friendship and romantic love, doing so with imposing technique to a satisfying aesthetic result.


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