Recidivist hold-up man H.I. McDonnough and police woman Edwina marry, only to discover they are unable to conceive a child. Desperate for a baby, the pair decide to kidnap one of the quintuplets of furniture tycoon Nathan Arizona. The McDonnoughs try to keep their crime secret, while friends, co-workers and a feral bounty hunter look to use Nathan Jr. for their own purposes.Written by
Scott Renshaw <email@example.com>
During the wild chase scene, H.I. commandeers a pick-up with driver. The vehicle shown is a 1964 to 1966 Chevy pick up. However, there are a couple scenes from inside the cab over the hood which clearly show the vents and contours of a Dodge pick-up of similar vintage. See more »
My name is H.I. McDonnaugh. Call me Hi.
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The opening credits (which start quite a ways into the movie) list only the main cast. The crew is not listed until the ending credits. See more »
There are really few directors that are as consistent as the Coen brothers. Their strange sense of humour just works in every movie they make, and it's extremely fun and addictive. With that said, it's difficult to decide which of their movies is the best, but this one is a worthy contender. It's incredibly outrageous, wild and crazy, but at the same time it's close and heart-warming. It has a very surreal look, yet the emotional scenes still look very genuine, which is quite an achievement. The characters are also vintage Coen, they're all offbeat and weird, but that just raises more sympathy for them. It also helps that they all express themselves through some razor-sharp dialogues. I could barely make out the lines because I was too busy laughing at the previous lines, you wonder where these keep coming from. This movie just isn't like anything I've ever seen. It's astoundingly funny in all its weirdness.
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