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Radio Days (1987)

PG | | Comedy | 30 January 1987 (USA)
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0:31 | Clip

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A nostalgic look at radio's golden age focusing on one ordinary family and the various performers in the medium.

Director:

Woody Allen

Writer:

Woody Allen
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Nominated for 2 Oscars. Another 3 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mike Starr ... Burglar
Paul Herman ... Burglar
Don Pardo ... 'Guess That Tune' Host
Martin Rosenblatt Martin Rosenblatt ... Mr. Needleman
Helen Miller ... Mrs. Needleman
Danielle Ferland Danielle Ferland ... Child Star
Julie Kavner ... Tess, the mother
Julie Kurnitz Julie Kurnitz ... Irene
David Warrilow David Warrilow ... Roger
Wallace Shawn ... Masked Avenger
Mick Murray Mick Murray ... Avenger Crook (as Michael Murray)
William Flanagan William Flanagan ... Avenger Announcer
Seth Green ... Joe
Michael Tucker ... Martin, the father
Josh Mostel ... Abe
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Storyline

Woody Allen's sentimental reminiscence about the golden age of radio. A series of vignettes involving radio personalities is intertwined with the life of a working class family in Rockaway Beach, NY circa 1942. Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM

Country:

USA

Language:

English | Spanish | Italian

Release Date:

30 January 1987 (USA) See more »

Also Known As:

Días de radio See more »

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Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend USA:

$1,522,423, 1 February 1987, Limited Release

Gross USA:

$14,792,779
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The story of Kirby Kyle, the ill fated baseball player, is a parody of former Chicago White Sox pitcher Monty Stratton, whose promising career was derailed after he lost part of his leg due to a hunting accident. Stratton attempted a comeback, and then retired. His life was made into a movie: The Stratton Story (1949). See more »

Goofs

The burglars turn on a radio and instantly hear sound, when the vacuum tubes should have taken longer to warm up. See more »

Quotes

Arnold: [presenting a condom to a class] I found this on my parents' night table.
See more »


Soundtracks

I Double Dare You
(1937)
Music by Jimmy Eaton
Lyrics by Terry Shand
Performed by Larry Clinton on radio
Courtesy of RCA Records
See more »

Frequently Asked Questions

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User Reviews

 
A Masterpiece. Amazing.
16 June 2003 | by Kieran KenneySee all my reviews

Radio Days has got to be one of my absolute favorite films of all time. To me, it's a film that balances story, characters and atmosphere better than just about any other. It's truly a great work of art, and a very, very underrated one. The best thing about it is how Allen's love for his subject, the romantic nostalgia he feels, translates so eloquently to the screen. You've also got to hand it to the cast. Diane Weist, Julie Kavner, Mia Farrow, Josh Mostel, a briefly-glimpsed Jeff Daniels, and a young Seth Green all give great performances that are right out of the period, yet instantly recognizable. Allen had Santo Loquasto, his art director, do a bang-up job on creating the world of early-1940s Rockaway, New York, and Jeffrey Kurland's costumes help immensely. Particularly note-worthy is Carlo Di Palma's stunning cinematography. The colours, the smoky nightclubs and soundstages, the dimly-lit nighteries and the dazzling rooftop set come to life like few sets do in films. And then there's the music. That dazzling array of classic music, from one of the best periods for it in American history. Allen's decision to use only music from that time might sound cliche, but he's definatly justified here. And there's always the Radio Show Themes piece by Dick Hyman (I'm always by that name) that accompanies many of the scenes. That piece of music alone is worth seeing the film. As you can probably tell, I love this film simply for the fact that it's such a charming, enchanting, beautiful film. It's one I'd show my children, even the nude dancing scene, had I any children to show it to. Woody Allen's turn in the films he's made lately (as of 2003) are, to me, pretty depressing and perverse, with none of the charm, life and humor that works like Radio Days symbolize, Sweet and Lowdown notwithstanding. Hopefully, more films like this gem are on the horizon.


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