Woody Allen's sentimental reminiscence about the golden age of radio. A series of vignettes involving radio personalities is intertwined with the life of a working class family in Rockaway Beach, NY circa 1942.Written by
Scott Renshaw <email@example.com>
For Diane Keaton's song cameo, Woody Allen made sure her song was a potent tune since Keaton was only going to be in the one small sequence. Allen chose Cole Porter's standard "You'd Be So Nice To Come Home To" for Keaton. See more »
In the closing sequence, when Julie Kavner (Mother) says "I'm worried about the future," she spills champagne on the baby she is holding. She looks down briefly, but the camera ignores it and pans over. See more »
I think you have these qualities that you demand and when you meet a nice man you disqualify him for the smallest fault.
That's not true.
So, what was wrong with Nat Bernstein?
He wore white socks with a tuxedo!
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This movie shouts one word: WARMTH. The colors, the plot, the characters, they are all wonderfully warm.
I've watched this movie with senior citizens who were around in the forties. I once watched it with a Jewish guy who grew up on Long Island (albeit in the early 30's, not the 40's). All comments were the same: THIS was life in New York during wartime.
Vietnam was my war, so this era was a mystery to me. However, any time a genius like Woody Allen can create a film that not only makes me and my rowdy friends laugh, but gets guffaws from my dear old Mom as well, it deserves a little fanfare.
I didn't even mention the solid gold music.
See this film at once!
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