A group of graduate students and scientists uncover an ancient canister in an abandoned church, but when they open the container, they inadvertently unleash a strange liquid and an evil force on all humanity.
A sinister secret has been kept in the basement of an abandoned Los Angeles church for many years. With the death of a priest belonging to a mysterious sect, another priest opens the door to the basement and discovers a vat containing a green liquid. The priest contacts a group of physics graduate students to investigate it. Unfortunately, they discover that the liquid contains the essence of Satan himself, and they also discover that he will release HIS father - an all-powerful Anti-God! The liquid later comes to life itself, turning some of the students into zombies as the Devil comes forward to release his father. Will these students be able to stop him?Written by
Derek O'Cain
The film was budgeted at $3 million, shot in about thirty days, and was Carpenter's "return to horror" after Starman and Big Trouble in Little China. See more »
Goofs
We see the new moon very close to the sun (though showing far too much crescent for such a small angle). A few scenes later, Brian Marsh is looking at a full moon, then a few more scenes later, we see the new moon again near the sun. That night, we see the full moon again. See more »
Quotes
Professor Edward Birack:
Suppose what your faith has said is essentially correct. Suppose there is a universal mind controlling everything, a god willing the behavior of every subatomic particle. Well, every particle has an anti-particle, its mirror image, its negative side. Maybe this universal mind resides in the mirror image instead of in our universe as we wanted to believe. Maybe he's anti-god, bringing darkness instead of light
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Crazy Credits
The opening credits last for nine minutes. See more »
Alternate Versions
The UK 15-rated Universal video version released by 4-Front is edited slightly to avoid an 18 rating. 42 secs of cuts include a shorter bike-stabbing sequence, the removal of some swearing and a brief cut to 'soften' the scene where Calder cuts his throat with a splinter (in the case of this cut there is a noticeable jump in the soundtrack). See more »
I agree with regular J.C. actor Kurt Russell on a point he made about the director: If you want to make a cheap movie but make it look slick and expensive, Mr. Carpenter is your man. Like HALLOWEEN this was made for very little money but appears to have been made on a modest budget.
After the box office failure of the underrated Big Trouble in Little China, Carpenter left the studio system and returned to independent and horror filmmaking. The soundtrack is constant synth, the acting average, the tension constantly increasing and widescreen lens used to perfection, all combined scream Carpenter's name from the lengthy opening credits scene. PRINCE OF DARKNESS sits among the most eerie and interesting of Carpenter's work. Defects are it isn't very exciting and divulges a lot of unnecessary quantum physics jargon that seem pompous on the writer's behalf (sorry J.C. but 'Martin Quatermass'? your devotees know you love Nigel Kneale's work!). Despite a few scenes of action, which seem thrown in to gather momentum, the film just moves along.
Basically PRINCE OF DARKNESS combines ASSAULT ON PRECINCT 13 with THE THING. A character driven story concerning isolated individuals and one by one falling victim/possessed to/by an alien foe. Priest, Donald Pleasence (HALLOWEEN) hires University Professor, Victor Wong (Big Trouble in Little China) to investigate an ominous cylinder. The green ooze inside this cannister, hidden for centuries by the 'Brotherhood of Sleep', is the 'anti God' who will end the world if the secrets of its origin remain unsolved.
This is the second part in Carpenter's 'apocalypse trilogy' that began with THE THING and concluded with IN THE MOUTH OF MADNESS. PRINCE OF DARKNESS is a must for all J.C. fans, but is the slowest of the trilogy.
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I agree with regular J.C. actor Kurt Russell on a point he made about the director: If you want to make a cheap movie but make it look slick and expensive, Mr. Carpenter is your man. Like HALLOWEEN this was made for very little money but appears to have been made on a modest budget.
After the box office failure of the underrated Big Trouble in Little China, Carpenter left the studio system and returned to independent and horror filmmaking. The soundtrack is constant synth, the acting average, the tension constantly increasing and widescreen lens used to perfection, all combined scream Carpenter's name from the lengthy opening credits scene. PRINCE OF DARKNESS sits among the most eerie and interesting of Carpenter's work. Defects are it isn't very exciting and divulges a lot of unnecessary quantum physics jargon that seem pompous on the writer's behalf (sorry J.C. but 'Martin Quatermass'? your devotees know you love Nigel Kneale's work!). Despite a few scenes of action, which seem thrown in to gather momentum, the film just moves along.
Basically PRINCE OF DARKNESS combines ASSAULT ON PRECINCT 13 with THE THING. A character driven story concerning isolated individuals and one by one falling victim/possessed to/by an alien foe. Priest, Donald Pleasence (HALLOWEEN) hires University Professor, Victor Wong (Big Trouble in Little China) to investigate an ominous cylinder. The green ooze inside this cannister, hidden for centuries by the 'Brotherhood of Sleep', is the 'anti God' who will end the world if the secrets of its origin remain unsolved.
This is the second part in Carpenter's 'apocalypse trilogy' that began with THE THING and concluded with IN THE MOUTH OF MADNESS. PRINCE OF DARKNESS is a must for all J.C. fans, but is the slowest of the trilogy.