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Prick Up Your Ears (1987)

This film is the story of the spectacular life and violent death of British playwright Joe Orton. In his teens, Orton is befriended by the older, more reserved Kenneth Halliwell, and while ... See full summary »

Director:

Stephen Frears

Writers:

John Lahr (based on the biography by), Alan Bennett (screenplay)

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Nominated for 1 Golden Globe. Another 5 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Gary Oldman ... Joe Orton
Alfred Molina ... Kenneth Halliwell
Vanessa Redgrave ... Peggy Ramsay
Wallace Shawn ... John Lahr
Lindsay Duncan ... Anthea Lahr
Julie Walters ... Elsie Orton
James Grant James Grant ... William Orton
Frances Barber ... Leonie Orton
Janet Dale Janet Dale ... Mrs Sugden
Dave Atkins Dave Atkins ... Mr Sugden
Margaret Tyzack ... Madame Lambert
Eric Richard ... Education Officer
William Job William Job ... RADA Chairman
Rosalind Knight Rosalind Knight ... RADA Judge
Angus MacKay Angus MacKay ... RADA Judge
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Storyline

This film is the story of the spectacular life and violent death of British playwright Joe Orton. In his teens, Orton is befriended by the older, more reserved Kenneth Halliwell, and while the two begin a relationship, it's fairly obvious that it's not all about sex. Orton loves the dangers of bath-houses and liaisons in public restrooms; Halliwell, not as charming or attractive as Orton, doesn't fare so well in those environs. While both long to become writers, it is Orton who achieves fame - his plays "Entertaining Mr. Sloane" and "Loot" become huge hits in London of the sixties, and he's even commissioned to write a screenplay for the Beatles. But Orton's success takes him farther from Halliwell, whose response ended both his life and the life of the up-and-coming playwright. Written by Gary Dickerson <slug@mail.utexas.edu>

Plot Summary | Add Synopsis

Taglines:

They shared everything - except success.

Genres:

Biography | Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

8 May 1987 (USA) See more »

Also Known As:

Das stürmische Leben des Joe Orton See more »

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Box Office

Gross USA:

$1,654,743
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The title is a naughty pun ("Prick" having both standard and off-color denotations and "Ears" being an anagram for the British spelling of a vulgar anatomical descriptor). See more »

Goofs

When Joe's agent first meets him in 1964, she asks him how he's been supporting himself. He tells her he's on public assistance, getting £3.10 per week. New pence weren't introduced until 1971. However, in the pre-decimal era, "Three pounds ten" would have been understood as "Three pounds and ten shillings", the present-day equivalent being £3.50. For example, "Maggie Mae", recorded by the Beatles in 1969 but based on a much older traditional song, includes the line "Two pounds ten a week, that was my pay." See more »

Quotes

[Halliwell puts his hand on Orton's leg. Orton brushes it off]
Joe Orton: No. Have a wank.
Kenneth Halliwell: Have a wank? Have a wank? I can't just have a wank. I need three days' notice to have a wank. You can just stand there and do it. Me, it's like organizing D-Day. Forces have to be assembled, magazines bought, the past dredged for some suitably unsavoury episode, the dog-eared thought of which can still produce a faint flicker of desire! Have a wank, it'd be easier to raise the Titanic.
See more »


Soundtracks

Recognition Fanfare
(uncredited)
Music by Ernest Bullock
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User Reviews

Essential Joe Orton Bio
23 September 1999 | by MaharisSee all my reviews

The single best biographical film I've ever seen. Gary Oldman, Alfred Molina, and Vanessa Redgrave are all brilliant. (Check out Simon Callow's book "Love Is Where It Falls" for more information on the Vanessa Redgrave character.) Much of the last third of the film is difficult to take, but it is nevertheless essential viewing for anyone interested in Joe Orton. And it needs to be said that there is real joy in the film as well -- particularly in the mischievous looks that cross Oldman's face while cruising tea rooms. Has any other het actor played gay so utterly convincingly?


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