Repentance (1984)

The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the ... See full summary »

Director:

Tengiz Abuladze

Writers:

Tengiz Abuladze, Nana Janelidze

Stars:

Avtandil Makharadze, Zeinab Botsvadze, Ia Ninidze

Nominated for 1 Golden Globe. Another 12 wins & 1 nomination.

Cast

Cast overview, first billed only:
Avtandil Makharadze	...	Varlam Aravidze / Abel Aravidze
Ia Ninidze	...	Guliko (as Iya Ninidze)
Zeinab Botsvadze	...	Ketevan Barateli
Ketevan Abuladze	...	Nino Barateli
David Giorgobiani	...	Sandro Barateli (as Edisher Giorgobiani)
Kakhi Kavsadze	...	Mikheil Koresheli
Merab Ninidze	...	Tornike
Nino Zakariadze	...	Elene Korisheli (as Nino Zaqariadze)
Nano Ochigava	...	Ketevan as a child
Boris Tsipuria
Akaki Khidasheli
Leo Antadze	...	(as Levan Antadze)
Rezo Esadze
Mzia Makhviladze	...	(as M. Makhazadze)
Amiran Amiranashvili

Storyline

The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the police eventually capture a local woman, who is accused of digging it up. She says that Varlam should never be laid to rest because he was responsible for a Stalin-like reign of terror that led to the disappearance of many of her friends...

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Plot Keywords:

funeral | forced labor camp | anti soviet | stalinism | police state | 

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Genres:

Comedy | Drama

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Certificate:

PG

Details

Official Sites:

Official site [Japan]

Country:

Soviet Union

Language:

Georgian Russian Italian German

Release Date:

18 May 1987 (Denmark)

Also Known As:

Repentance

Box Office

Gross USA:

$215,496

Company Credits

Production Co:

Georgian-Film, Qartuli Telepilmi, Sovexportfilm

Technical Specs

Runtime:

153 min 142 min (video)

Sound Mix:

Stereo

Color:

Color

Did You Know?

Trivia

In West Germany Repentance was broadcast by ZDF on 13 October 1987. The broadcast was received and widely seen in East Germany where the film was banned. East German television viewers reacted strongly as they saw parallels to their own regime. This reaction forced East German authorities and the East German press to react. Harald Wessel, second editor in chief of Neues Deutschland and the editor in chief of the Junge Welt, Hans-Dieter Schütt published editorials in their newspapers that tried to both denounce the film and to avoid anti-Soviet undertones. The situation was complicated by the fact that the editorials were for a film that was banned and should theoretically be unknown to East German readers.

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Goofs

After Varlam's corpse has been reburied the second time, an iron cage is placed over his grave to protect it from further intrusion. But as the perpetrator starts to exhume him for the third time, there is no cage.

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Quotes

Sandro Barateli: The vibration has damaged not only the frescos. There are cracks in the walls of the church. If it goes on this way, the church will collapse. By the way, the church stands on piles. We ask you to immediately stop laboratory experiments in the church and put up as soon as possible a new building for the research institute.
Varlam Aravidze: You mean to say that you're against science and progress?
Sandro Barateli: We're against the science that destroys ancient monuments.
Varlam Aravidze: Doksopulo, what was that church directive about?
Doksopulo: It's ...
[...]

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Connections

Featured in The Story of Film: An Odyssey: Fight the Power: Protest in Film (2011)

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Soundtracks

Samshoblo
by Georgian Folk Song

User Reviews

An astonishing portrait of a totalitarian monster

This wonderful Georgian film emerged from the last years of the Soviet regime, but seems to have disappeared without trace. The final film of a trilogy by the veteran film-maker Tengiz Abuladze, it portrays a composite monster, Varlam (Hitler moustache, Mussolini shirt & braces, Stalin boots, Beria pince-nez) and his equally grotesque son Abel, both played by the same actor.

The film has a surrealist, dreamlike quality about it, framed by initial and final scenes in a cake-shop and with police almost comic in medieval armour. The main actions which initiate the plot are surrealist with the repeated exhumation of Varlam's corpse. The two monstrous central characters are no more than mayors of a small Georgian town - but there is nothing comic about their actions and the reign of terror they bring to the community. The elements of tyranny are revealed economically, with hints of atrocities and disappearances but only one brief torture scene. The overall message is that of personal responsibility. The tyrannical regime is not an anonymous bureaucracy but the deliberate creation of evil men. And the final repentance is a horrific recognition of those responsibilities. An unmissable film, beautifully made and superbly acted - if you can find it.