The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the ...
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In the pursuit of happiness orphan Ertaoz left for city, where he fell in love with pretty Margalita and went to jail to save her. There he met his future teacher Qristepore who dreamed of building flying machine and they broke the prison.
During World War II, Georgy Makharashvili, an old peasant wine-grower, leaves his Georgian village and goes off to the front lines to find his son, a wounded soldier. But before the father ... See full summary »
The Sun of the Sleepless. The film is about a doctor named Gela Bendeliani (Elgudzha Burduli) and his wealthless family in Tbilisi in Soviet Georgia. In the film Gela Bendeliani has an unlimited capacity for generosity and forgiveness.
Brave sons of Khevsureti and Kisteti fight against each to protect their homelands. But, they confront faulty domestic traditions to respect enemy's true prowess and find themselves in conflict with own compatriots.
Small Georgian village (ca. 1890) Magdana a widow lives in a shack with her 3 children and ekes out a living selling yogurt. When the children find a donkey lying by the road and nurse it to health, it seems the family's troubles are over.
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Pavle, who is a poor cart-driver has two girls, Maro and Tamro. The girls have a dream to take classes at a ballet school, but Pavle cannot afford such a luxury. Vardo, a laundress, decides to help the little girls.
The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden and is secretly reburied. But the corpse keeps returning, and the police eventually capture a local woman, who is accused of digging it up. She says that Varlam should never be laid to rest because he was responsible for a Stalin-like reign of terror that led to the disappearance of many of her friends...Written by
Michael Brooke <firstname.lastname@example.org>
In West Germany Repentance was broadcast by ZDF on 13 October 1987. The broadcast was received and widely seen in East Germany where the film was banned. East German television viewers reacted strongly as they saw parallels to their own regime. This reaction forced East German authorities and the East German press to react. Harald Wessel, second editor in chief of Neues Deutschland and the editor in chief of the Junge Welt, Hans-Dieter Schütt published editorials in their newspapers that tried to both denounce the film and to avoid anti-Soviet undertones. The situation was complicated by the fact that the editorials were for a film that was banned and should theoretically be unknown to East German readers. See more »
After Varlam's corpse has been reburied the second time, an iron cage is placed over his grave to protect it from further intrusion. But as the perpetrator starts to exhume him for the third time, there is no cage. See more »
The vibration has damaged not only the frescos. There are cracks in the walls of the church. If it goes on this way, the church will collapse. By the way, the church stands on piles. We ask you to immediately stop laboratory experiments in the church and put up as soon as possible a new building for the research institute.
You mean to say that you're against science and progress?
We're against the science that destroys ancient monuments.
Doksopulo, what was that church directive about?
[...] See more »
This wonderful Georgian film emerged from the last years of the Soviet regime, but seems to have disappeared without trace. The final film of a trilogy by the veteran film-maker Tengiz Abuladze, it portrays a composite monster, Varlam (Hitler moustache, Mussolini shirt & braces, Stalin boots, Beria pince-nez) and his equally grotesque son Abel, both played by the same actor.
The film has a surrealist, dreamlike quality about it, framed by initial and final scenes in a cake-shop and with police almost comic in medieval armour. The main actions which initiate the plot are surrealist with the repeated exhumation of Varlam's corpse. The two monstrous central characters are no more than mayors of a small Georgian town - but there is nothing comic about their actions and the reign of terror they bring to the community. The elements of tyranny are revealed economically, with hints of atrocities and disappearances but only one brief torture scene. The overall message is that of personal responsibility. The tyrannical regime is not an anonymous bureaucracy but the deliberate creation of evil men. And the final repentance is a horrific recognition of those responsibilities. An unmissable film, beautifully made and superbly acted - if you can find it.
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