A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
A young opera singer (Betty) gets her big chance when the previous star of a production of Verdi's Macbeth is run over by a car. Convinced the opera is bad luck she accepts, and becomes the target (in Argento's unmistakable style) of a psychopath - a man she has been dreaming of since childhood.Written by
David Carroll <firstname.lastname@example.org>
According to star Urbano Barberini, it would take hours for everyone to re-capture the crows after they were released in the opera house for filming. Around 140 crows were used, but only 60 sum were ever retrieved. The others apparently escaped from the opera house during filming. See more »
During the shootout in Betty's apartment as the masked killer dives out of the way of a shot, and the camera quickly pans after him, a crew member is visible on the right side of the frame, trying to get out of the way. See more »
This is not Argento's best film by far, but if you are a fan of the director, or just a fan of the horror genre in general, this movie is worth a watch. Argento is always original, and Opera is no exception. His death scenes are top notch. Nothing of his that you watch is the same as anything else out there. On top of this, Opera is visually stunning, with beautiful backdrops drenched in lots of color; this is an Argento staple. Subjective shots are constant, which is also an Argento staple, but in Opera it is a little different. With Argento, subjective shots usually show the world through the eyes of the killer and make the audience relate to him or her. In Opera the audience also sees through the eyes of the victim, who is forced to watch everything unfold around her. The problems with this film are the acting and the script. Starting with the former, Argento's young leading lady gave him problems throughout the shoot. She did not take direction well due to her inexperience; Argento claims this is the first time it ever happened to him. With the script, there are holes throughout the story, and everything gets wrapped up a little too neatly as the killer explains why it all happened. The ending is also dreadful. The company releasing the film in America asked Argento to cut the final scene, but the director refused.
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