A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
A young opera singer (Betty) gets her big chance when the previous star of a production of Verdi's Macbeth is run over by a car. Convinced the opera is bad luck she accepts, and becomes the target (in Argento's unmistakable style) of a psychopath - a man she has been dreaming of since childhood.Written by
David Carroll <email@example.com>
There has frequently been controversy about the film's aspect ratio since it was shot in the Super 35 process and released both in 2,35:1 and 1,85:1 on DVD with the general conclusion being that 2,35:1 was the ratio intended by Dario Argento since he had the film shown that way on various festivals and obviously chose to use Super 35 himself for this film. See more »
During the chase in Betty's apartment, as the killer runs POV through the house the camera tilts back and forth showing for a brief second the top of the set in Betty's room and the space above it. Also, while exiting the bedroom, lighting equipment is visible on the left side of the frame. See more »
I understand that to truly appreciate Argento, you must check your sense of logic at the door. Suspiria and Deep Red are wonderfully inventive, creepy, frightening, etc. movies. That being said, Opera only rates a 5 in my book for what it should have been. With a better script, no inappropriate/silly heavy metal music, and a more coherent plot, Opera would be one of the greatest horror films of all time. As it stands, it is merely a good-looking misstep. The production values are superb, the camera-work and cinematography is near genius (the bullet through the door! the shots of the heroine with needles under her eyes! the sickening violence! the crows!). But the aforementioned mistakes dragged Opera down much further than the subject matter and visuals deserve.
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