Two male English school chums find themselves falling in love at Cambridge. To regain his place in society, Clive gives up his forbidden love, Maurice (pronounced "Morris") and marries. While staying with Clive and his shallow wife, Anne, Maurice finally discovers romance in the arms of Alec, the gamekeeper. Written from personal pain, it's E.M. Forster's story of coming to terms with sexuality in the Edwardian age.Written by
Susan Southall <email@example.com>
In the DVD extras, James Wilby remembers that the movie's final scene, a love scene between his character (Maurice) and Rupert Graves' character (Scudder) was shot on the fourth day of filming, and because of the complete lack of rehearsal time, he and Graves had barely even met beforehand. See more »
Wigmore Hall, where the boys meet in one scene, was known as Bechstein Hall until 1917. It was owned and operated by the German piano manufacturer Carl Bechstein & Sons. In1916 Britain seized German property in Britain. The hall was renamed Wigmore Hall on its reopening in 1917. So "Wigmore Hall" did not exist when the scene in the film (pre-war) takes place. See more »
Oh dear Sir, mud on the carpet. I'll send someone up.
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Some NTSC versions are scanned at 25fps and the running time is short and seems edited but the movie is intact. See more »
Before Hugh Grant became a mega-star he appeared in this Merchant Ivory adaptation of an E.M. Forster novel about two Cambridge students who fall in love--and out of love--each going separate ways at the end. Hugh Grant, James Wilby and Rupert Graves give well crafted performances that show respect for their roles. Graves, in particular, is especially well cast as the dark-haired gamekeeper and gives the film its only real sense of sexual urgency. James Wilby is a bit too repressed--even in the sexual moments--to bring the character fully to life. Somehow one feels that of the three, he is the least convincing--but overall he is a more than competent actor. Grant is excellent in an unusual role for him--his sly charm displayed in a less obvious way than when he does comedy.
If the film has one flaw, it's a bit overlong with the kind of story that could have been covered in two hours of running time. But everything about it is exquisite--the photography, the sets, the costumes, all in the impeccable style we're accustomed to from Merchant Ivory. A nice coming of age story of sexuality that cannot remain dormant when close "chums" are sharing close quarters.
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