On the planet Eternia, Skeletor and his dark army overthrow the Sorceress of Castle Grayskull expecting to acquire her power. He-Man, his old friend Duncan "Man-at-Arms" and his daughter Teela are attacked by Skeletor's soldiers and they defeat them. They also rescue their prisoner, the inventor and locksmith Gwildor. He explains that he was lured by Evil-Lyn that used his invention the Cosmic Key to open the gates and seize the Castle Grayskull. He-Man and his friends retrieve the prototype of the Cosmic Key trying to release the Sorcereress but they are defeated by Skeletor and his army and Gwildor uses his key to open and portal for them to flee. They come to Earth but lose the key. Meanwhile, Julie Winston, who grieves the loss of her parents in a plane crash, and her boyfriend Kevin Corrigan find and activate the key, believing it is a foreign musical instrument. On Eternia, Evil-Lyn locates the Cosmic Key and Skeletor sends her with a group of mercenaries and soldiers to ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In Albert Pyun's first draft of the abandoned Masters of the Universe II. The film took place 10 years after Masters of the Universe (1987) and followed He-Man, as he teams up with She-Ra and other heroes to battle Skeletor whom has risen and conquered Eternia after he is saved by a traitor. See more »
During the climactic battle scene at Castle Grayskull, He-Man jumps up onto a high platform and starts running. There is a bad edit, and it cuts to He-Man running before his feet land. There is also no sound of his feet hitting the platform. See more »
At the center of the universe, at the border between the light and the dark stands Castle Greyskull. For countless ages, the Sorceress of Greyskull has kept this universe in harmony. But the armies of darkness do not rest, and the capture of Greyskull is ever most in their minds. For with those that control Greyskull, will come the Power... The power to be supreme... the power to be almighty... the power to be... Masters of the Universe!
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After the closing credits have ended, Skeletor's head, sans cowl, pops up from the waters of the pit he was thrown in, and says "I'll be back!". See more »
I have read a number of reviews on this movie and they are accurate and good for the most part. My credit is to Gary Goddard for all he endured and still getting a credible and succinct movie made.
The fight scenes are real and actual so they seem methodical but they're great. The hair, clothing, make-up, special effects, and down the list we go, is so caked in '80s gunk it would be hard to fight for this as a classic. It is the only He-Man movie out there, and although a sequel beckons, eighteen years have passed without a stir.
If a sequel were to made Langella would have to be Skeletor. I mean the best acting from both he and Lundgren comes when He-Man is being led by the Centaurian. Langella saying "I give you a choice: return to Eternia with me as my slave and save their despicable lives, or perish with them here on this tasteless, and primitive, planet." It's cold and dark and it's authentic. It's chilling and you get chills. Langella overacts sometimes but mostly is great. He took Skeletor from a whiny, irritating, and downright pathetic worm of a guy to a believable, earthy, credible, and despicable evil-doer. We get a taste of the importance of He-man and all that he does, here in this scene, too.
Goddard did something brilliant here, he made the movie personable. He puts these people on Earth, interacting with Earthlings, and putting a grasp on how out there these "aliens" are. But it is also probably why this movie is so widely disregarded, because it doesn't have great and illustrative fight scenes. Instead they are sensible and plotted. To see this movie remade could be a real treat.
Gwildar is, essentially, Orco. He was easy, sensible, irritating, but not nearly as annoying, and unfairly Billy Barty was nominated for a Razzie. The story interlocks with this missing "key" as created by Gwildar. This cosmos idea of God-like power through the manifestation of a fourth dimension is highly advanced. This is why the movie is good. Portals are doors and He-Man is definitely a science fiction adventurer. This puts an Earthy spin on an idea wiling out.
Teela works and Man-in-Arms (Duncan) is good as a faithful sidekick to He-Man. That's what he is. He can hold his own but mostly is fighting for duty of right, and he follows He-Man for he is the epitome of it. Teela's gritty and pitched voice, with her desperate actions, are very formidable. Duncan is best when inspiring Kevin. Kevin is a sensitive guy with a talent. What these Eternians do is showcase pessimism on Earth for their planet is dying at their own hands. They are their own good and evil and it is hard to differentiate, so why care? By the end of the movie Courtney Cox and Robert Duncan McNeill (Julie and Kevin) see that. So does Lubic. The Eternians have no planet and yet they continue to hold hope and forge ahead: He-Man.
Tolkan is not so much a distraction as he is pretentious. McNeill yelling to Tolkan "Lubic this is for real" as he dodges a Centaurian blast doesn't hold much weight, or reality. It is about unity, division, and strength. Both literal and figurative.
Meg Foster is great as Evil-Lyn because she improves the movie rather than take time from Skeletor. Goddard lets most of the acting chops fall to the incomparable Frank Langella. He-Man is the ambassador of good. He is to talk slow, be level-headed, and search for justice. Lundgren does all of these things. He mission isn't to be malicious and blood seeking. When he runs into Julie (and a great fight sequence ensues) it is Duncan and Teela doing some leg work. He-Man is a protector. He'll abate killing Skeletor to keep any and all safe. In all honesty how many lines can you give someone? Someone suggested Brad Pitt as He-Man for a remake. I don't mind Pitt, but he would ham up the screen like some feel Skeletor did. Skeletor's was good, He-Man's would not be. Lundgren, in all honesty, is great. He has a mullet but looks the part, and contrary to popular belief, acts it. He wields the Sword of Grayskull gracefully, yet with force and some clumsiness. It's heavy, but he's well-skilled and versed in the sword. These oppositions are found in the Soceress. She would normally seem bad to us; however, she is the greatest power of good. Christina Pickles gives great lines of philosophy allowing for good banter and humor with Skeletor. And her love for He-Man is very evident and clear with solid acting.
The cartoon is hardly to be found here, aside from the characters and Eternia. Battle cat, and all other characters good and bad, could cloud a remake. But it would be great to see history revealed for He-Man like the new Batman series has done. People forget we like to see depth in our characters. And the character Charlie is filler, not unimportant, but certainly not integral. He's written well. All in all watch this movie because it's really, quite engrossing.
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