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Man on Fire (1987)

A former CIA agent, John Creasy, is hired as a bodyguard for a girl in Italy, who becomes the daughter he never had. When she is abducted, Creasy's fiery rage is unleashed, and despite being badly wounded, embarks on a bloody revenge spree.


Élie Chouraqui


A.J. Quinnell (novel), Élie Chouraqui (screenplay) | 1 more credit »


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Cast overview, first billed only:
Scott Glenn ... Creasy
Jade Malle ... Samantha
Joe Pesci ... David
Brooke Adams ... Jane
Jonathan Pryce ... Michael
Paul Shenar ... Ettore
Danny Aiello ... Conti
Laura Morante ... Julia
Giancarlo Prati Giancarlo Prati ... Satta
Inigo Lezzi Inigo Lezzi ... Bellu
Alessandro Haber Alessandro Haber ... Sandri
Franco Trevisi ... Rabbia
Lou Castel ... Violente
Lorenzo Piani Lorenzo Piani ... Bruno
Giuseppe Cederna ... Snake


A former CIA agent, John Creasy, is hired as a bodyguard for a girl in Italy, who becomes the daughter he never had. When she is abducted, Creasy's fiery rage is unleashed, and despite being badly wounded, embarks on a bloody revenge spree.

Plot Summary | Add Synopsis

Plot Keywords:

girl | bodyguard | italy | truck | bombing | See All (29) »


For an ex-CIA agent, the job of bodyguard for a twelve-year old girl should have been a breeze...


Action | Drama | Thriller


R | See all certifications »

Parents Guide:

View content advisory »



France | Italy


French | English | Italian

Release Date:

4 September 1987 (France) See more »

Also Known As:

Man on Fire See more »


Box Office

Opening Weekend USA:

$258,812, 11 October 1987

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs



Sound Mix:



Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
See full technical specs »

Did You Know?


Tony Scott was originally slated to direct. But the studio balked because at the time they felt he was not accomplished enough to pull off the project. He would go on to direct the second adaptation Man on Fire (2004). See more »


[first lines]
Creasy: And so. That's how I ended. A stiff in a body bag.
See more »


Referenced in Vengeance Is Mine: Reinventing 'Man on Fire' (2005) See more »


Words and Music by Vito Pallavicini and Paolo Conte
Performed by Adriano Celentano
Courtesy of 'CAM Edizioni Musicali [it]'
Published by 'CAM Edizioni Musicali [it]' All Rights Reserved
See more »

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User Reviews

a very unusual European film
20 July 2007 | by TheUnknown837-1See all my reviews

When most people today hear the title "Man on Fire", they probably think right away of the 2004 film starring Denzel Washington and Dakota Fanning. Unbeknownst to many of them is that film is in fact a remake of a gritty, disturbing, and above all, unusual European film of the same title. The 1987 version of "Man on Fire" is probably a film that I would have to consider schlock. From the looks of it, it's budget was fairly decent for it has good acting, good effects, and good sound design. But the reason why it falls under the category of schlock is because of its very unusual and sometimes, inferior styles. This is a film that will meet viewers halfway. Some people will enjoy it just for what it is. And the other half will simply despise it.

For me, "Man on Fire" was in deed unusual and strange and definitely not the most creative film ever made. But while that is true in my personal opinion, there is another factor that I cannot deny. And that is the factor that while the film was a bit shoddy, it was highly entertaining and in a way, a bit more complex and more compelling than the 2004 remake. It has some gorgeous scenery, absolutely wonderful acting, a fairly decent screenplay, and other things that I simply find attractive in a motion picture. Scott Glenn was absolutely flawless as Creasy and he pulled off the character as being mysterious, cold, and unusual. He wasn't quite the tough guy as Denzel Washington was in the remake. To be honest, I wanted him to be tougher, but it kind of worked out. Jade Malle, an actress who unfortunately did not do much acting after this debut, was fairly good as Sam. Yes, she wasn't the best child actress in the world and not a patch when compared to Dakota Fanning, but I found her to a fairly decent addition to the cast. And Joe Pesci, while definitely one of the unusual aspects of the film, pulled off a fairly good performance as well.

Action sequences in "Man on Fire" were fairly decent. Many of them were flawed, but they were, for the most part, thrilling. There was one part that I personally felt did not work out. When one of the bad guys gets shot in the stomach, he just kind of stands there until he finally starts to slowly fall over. The camera doesn't change angles or anything like that to create a more distressful feeling. But other than that, the gunfights and action sequences were intense, gritty, and bloody. And the gore here is used at a controlled level. And what I will always remember about this film was that unlike the 2004 version, there was a scene here that just made me jump.

So what doesn't work in "Man on Fire"? Basically, it's just a few aspects of the film's style. Some parts of the film I think could have used a few more takes. The scene where Creasy finds the first of the kidnappers probably could have been done differently, for I found it to be too disturbing and uncomfortable. And like I said, there are some wonderfully talented actors and actresses in this film. Jade Malle's parents were portrayed wonderfully, unfortunately, their characters are what I would call stick figures. Just in the background, so that you know they're there. The ending for the film is a mysterious one of the highest order. For a while, it doesn't make any sense. And I think the explanation of the ending just depends on an individual viewer's point of view. Maybe that's what the director intended.

The original 1987 "Man on Fire" is not the kind of film for everybody. Some aspects of it are inferior to the 2004 remake, but other aspects exceed well above it. Personally, I might prefer this version for its colorful acting, its not-so-gangster style, Scott Glenn's wonderful performance, the great music score, and just the great thrills of a 1980s European thriller.

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