An ex-C.I.A. hitman running from his past (Malone) finds just how difficult it is to retire when he runs accross a small town controlled by mercenaries and a family that's resisting their ...
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Released from prison, Stick meets up with a friend and joins him on a job delivering a bag. His friend gets killed in the setup. Stick gets away and is ready to forget all and see his daughter, but they won't forget.
When call-girl Della gets caught in the middle of a drug bust at a hotel where she was meeting a trick, she is held hostage by a robber that busted in on the drug agents and the drug ... See full summary »
An ex-C.I.A. hitman running from his past (Malone) finds just how difficult it is to retire when he runs accross a small town controlled by mercenaries and a family that's resisting their control.Written by
K. Rose <email@example.com>
The sheriff looks at Malone's drivers license which clearly has a street address in Baltimore, then immediately asks "Why do you have a post office box for an address?" See more »
I think it's time for you to get some help.
Because you can't do your job anymore.
Because I let that man live?
That man is the worst bastard that...
I don't care! I've had enough! I want out.
What am I supposed to tell our superiors at the company?
Tell them good bye.
You know too much. One of the first things you tought me is that nobody just walks away from the CIA.
[...] See more »
UK cinema and video versions were cut by 1 second to remove an ear clap. See more »
In Malone, Burt Reynolds is a CIA paid assassin who's tired of the life and wants out of the company. Of course the company doesn't see it his way and his former protégé Lauren Hutton is sent to terminate his contract with the agency.
But Reynolds in looking for obscurity finds a place where a mysterious millionaire Cliff Robertson is buying all the land in some obscure valley in Idaho to make it his headquarters for some ill defined right wing conspiracy. Robertson's bought the sheriff, Kenneth McMillan and several local louts to enforce his will on the community. Reynolds's car broke down here by sheer chance and he's taken in by garage owner Scott Wilson and his daughter Cynthia Gibb. When Robertson's thugs start leaning on them, Reynolds springs into action.
Burt Reynolds's style is a whole lot like James Garner, quizzical, cynical and charming. I'm not used to seeing him play it as tight lipped as he does in Malone, but he does carry it off. The film borrows a lot from the plot of Shane and I could certainly see a 1987 version of Alan Ladd in the part.
It's a good action film even though a lot of the plot issues are unresolved. More than fans of Burt Reynolds will enjoy this.
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