Martin Riggs is an L.A. cop with suicidal tendencies and Roger Murtaugh is the unlucky police officer with whom Riggs is assigned. Together they uncover a huge drug-smuggling operation, and as their success rate grows so does their friendship.Written by
Graeme Roy <email@example.com>
When Murtaugh drives up to the site where Amanda Hunsaker has landed, there is a man in the back seat visible in the rear-view mirror. See more »
[During the mano - a - mano fight, Mr. Joshua has pinned Riggs to the ground, overpowering him]
Martin! Let me take him for you, Riggs! Let me take him!
[lifting his head up, growls hoarsely]
[to Mr. Joshua]
[Riggs rolls his body over Joshua, free himself]
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The Director's Cut (not actually a true director's cut, but a marketing promotion by Warner Bros.) features seven minutes of additional footage. In a new trailer scene, Riggs smashes his TV with a beer bottle; later he buys a new one. Murtaugh, before partnering with Riggs, goes to practice at the firing range. Riggs, before the dope shoot out, answers a call in a school yard with a sniper. Riggs walks out into the line of fire and kills the sniper, emptying his clip into him. Riggs, after leaving Murtaugh's house, goes out to solicit a prostitute. The aftermath is not shown, but Riggs says he wants to take her home to watch The Stooges with him; for this he pays her $100. See more »
The film opens with a panoramic aerial shot of Los Angeles, where a beautiful blonde girl in a penthouse apartment is lying, in a sexy white satin nightgown, on a luxurious red sofa... Drugs comes into focus on a table next to her...
She rouses herself to sniff some white powder, steps out (completely unbalanced) onto the balcony and stands on the railing, ready to plunge peacefully down...
Mel Gibson is remarkable as Martin Riggs... He is talented as both a cop and a clown... His character carries a great level of tension... He is both charismatic and enigmatic... Riggs is a homicide detective suffering harmful levels of stress, after losing his wife in an automobile accident... He seems unstable... He slaps and pummels a drug dealer in the manner of the "Three Stooges," and dares his hostage taker to shoot him...
He is on the brink of despair... He takes out a bullet, loads it in his .9 millimeter Beretta, puts the gun into his mouth, and appears ready to pull the trigger...
He is suicidal... He snaps a handcuff on a jumper's wrist, and snaps the other end onto his own wrist... Then he holds up the key to the cuffs, and flings it out into space...
He is a sharpshooter... He raises his gun and fires without blinking, and claims that killing is "the only thing he could ever do well."
He is partnered with a black middle-aged police detective to investigate the death of the girl that leaped off the balcony... Both quickly build up a strong friendship that lead them to uncover a very dangerous heroin ring...
Danny Glover is at his best against an actor who can easily steal scenes... He plays an old-fashioned detective who is obsessed about his age, and goes by the book... We simply see him scanning, reading the odds...
Murtaugh - on his 50th birthday - wears his past like a scar... He is a conservative family man who has to follow Riggs' hurtful plan to get his daughter back...
Gary Busey plays Mr. Joshua, a trained expert killer, cool as ice, deadly calm... It's essential for him to find out how much the police know... He tries his best to get Riggs out of the picture... His boss the General (Mitch Ryan) is a rugged man with eyes like chips of stone... The ruthless general thinks that it's now the precise time to turn up the heat... He wants Murtaugh to be tortured... He kidnaps Murtaugh's little girl, the gorgeous Rianne (Traci Wolfe) to make him speak...
Richard Donner's 'Lethal Weapon' is one of the finest films to offer its audience the combination of strong acting, and scenes out of hell... It is an exciting cop drama cleverly constructed... The final battle, where the two cops team up against the general and his henchmen, is especially thrilling... Donner's film also skates around the sexual implications of male bonding, but the scene in which Gibson and Glover are captured by the crooks and tortured dramatizes male vulnerability in a manner that became familiar in the action film...
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