King Lear (1987) - News Poster



The Reality of a Reflection: An Exploration of Jean-Luc Godard's Filmography

  • MUBI
Mubi's retrospective For Ever Godard is showing from November 12, 2017 - January 16, 2018 in the United States.Jean-Luc Godard is a difficult filmmaker to pin down because while his thematic concerns as an artist have remained more or less consistent over the last seven decades, his form is ever-shifting. His filmography is impossible to view in a vacuum, as his work strives to reflect on the constantly evolving cinema culture that surrounds it: Godard always works with the newest filmmaking technologies available, and his films have become increasingly abstracted and opaque as the wider culture of moving images has become increasingly fragmented. Rather than working to maintain an illusion of diegetic truth, Godard’s work as always foreground its status as a manufactured product—of technology, of an industry, of on-set conditions and of an individual’s imagination. Mubi’S Godard retrospective exemplifies the depth and range of Godard’s career as
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Nyff Review: ‘Wonder Wheel’ is a Gorgeous Ride with an Empty Center

Feeling like a poor stage-to-screen adaptation in the lineage of Rent or The Producers — just without catchy songs to redeem it — Wonder Wheel is an undercooked offering from Woody Allen. Justin Timberlake plays Mickey Rubin, a fit lifeguard in a one-piece bathing suit. As is painfully clear in the opening scenes, if you’re going to cast one of the biggest pop stars in the world, at least use him for what he’s good at.

Timberlake begins the film with narration about his time at Nyu and burgeoning writing career. He does his best Allen impression, over-enunciating every word, but the character isn’t your typical, neurotic Allen surrogate. Allen instead writes the neurosis into Ginny, Kate Winslet’s character, a desperate housewife who is cheating on her husband, Humpty (Jim Belushi), with Mickey. Lacking the neurotic charm that made Jesse Eisenberg’s Cafe Society turn so endearing, Timberlake struggles with delivery here,
See full article at The Film Stage »

HeyUGuys interview Geoffrey Rush, Ron Howard, Emily Watson and Gigi Pritzker on National Geographic’s Genius

  • HeyUGuys
Author: Daniel Goodwin

National Geographic’s first scripted drama series Genius charts the incredible life of theoretical physicist Albert Einstein. As well as his scientific endeavours, the story tells of the icon’s rise from modest beginnings, his struggle to be taken seriously by his establishment and peers as an intellectual radical during a time of global unrest.

Genius also tells of Einstein’s tumultuous love affairs, his anti-Semitic battles in Europe and problems he faced as a husband and father which made for an exhilarating, challenging life. HeyUGuys met with first episode Director and Executive Producer Ron Howard, Exec Producer Gigi Pritzker, Geoffrey Rush (Einstein) and Emily Watson (Elsa Einstein) to discuss the series, its origins and process of bringing such remarkable characters back to life…

Gigi Pritzker (Exec Producer): “We spent a number of years with numerous writers, trying to work Einstein’s story into a three
See full article at HeyUGuys »

Electric Boogaloo, the wild untold story of Cannon Films

Director and documentarian Mark Hartley scores both a film history and comedy success with this ‘wild, untold’ account of the 1980s film studio that was both revered and despised by everyone who had contact with it. The ‘cast list’ of interviewees is encyclopedic, everybody has a strong opinion, and some of them don’t need four-letter words to describe their experience!

Electric Boogaloo: The Wild, Untold Story of Cannon Films

On a double bill with

Machete Maidens Unleashed!


Umbrella Entertainment (Au, all-region

2014 / Color / 1:77 widescreen / 106 min. / Street Date April 4, 2017 / Available from Umbrella Entertainment / 34.99

Starring: Menahem Golan, Yoram Globus, Al Ruban, Alain Jakubowicz, Albert Pyun, Alex Winter, Allen DeBevoise, Avi Lerner, Barbet Schroeder, Bo Derek, Boaz Davidson, Cassandra Peterson, Catherine Mary Stewart, Charles Matthau, Christopher C. Dewey, Christopher Pearce, Cynthia Hargrave, Dan Wolman, Daniel Loewenthal, David Del Valle, David Paulsen, David Sheehan, David Womark, Diane Franklin, Dolph Lundgren, Edward R. Pressman,
See full article at Trailers from Hell »

Quad Cinema Will Relaunch with Films from Yang, Rivette, Kubrick, Fassbinder, Wertmüller, Coppola & More

Next month will mark the return of New York City’s Quad Cinema, a theater reshaped and rebranded as a proper theater via the resources of Charles S. Cohen, head of the distribution outfit Cohen Media Group. While we got a few hints of the line-up during the initial announcement, they’ve now unveiled their first full repertory calendar, running from April 14th through May 4th, and it’s an embarassment of cinematic riches.

Including the previously revealed Lina Wertmüller retrospective, one inventive series that catches our eye is First Encounters, in which an artist will get to experience a film they’ve always wanted to see, but never have, and in which you’re invited to take part. The first match-ups in the series include Kenneth Lonergan‘s first viewing Edward Yang‘s Yi Yi, Noah Baumbach‘s first viewing of Withnail and I, John Turturro‘s first viewing of Pather Panchali,
See full article at The Film Stage »

DVD Review – The Wicked Lady (1983)

The Wicked Lady, 1983.

Directed by Michael Winner.

Starring Faye Dunaway, Denholm Elliott, Alan Bates, John Gielgud, Glynis Barber, Oliver Tobias, Joan Hickson and Prunella Scales.


A woman marries into high society after stealing her sister’s fiancé but becomes bored with country life so she turns to highway robbery to get her kicks.

If you caught the Electric Boogaloo: The Wild, Untold Story of Cannon Films documentary from a couple of years back you may remember a sizeable section devoted to 1983’s The Wicked Lady. It may seem odd that a production company like Cannon – mostly known for action, martial arts and horror B-movies such as American Ninja, Invasion U.S.A. and The Texas Chainsaw Massacre 2 – would delve into a period drama remake of a 1945 film but this was no ordinary period piece as The Wicked Lady was adapted and directed by Michael Winner, fresh from his success with
See full article at Flickeringmyth »

Watch: New Trailer For Akira Kurosawa’s 4K Restored Classic ‘Ran’

Big screen spectacles rarely come as awe inspiring as Akira Kurosawa's "Ran." The legendary director's 1985 masterpiece deserves to be seen on the big screen (like nearly all of his movies), but there's no better time, as it's been giving a fresh, 4K restoration. Read More: Akira Kurosawa's 100 Favorite Movies Includes Films By Martin Scorsese, Francis Ford Coppola, Woody Allen, And More Kurosawa's take on Shakespeare's "King Lear," which sets the story during Japan's 16th century civil wars, is simply epic, with the director employing a massive cast of extras, live horses, and beautiful location work to pull it all together. Really, there should be little other convincing you need to track this down at a cinema near you. The restored "Ran" first premiered at the Cannes Film Festival last year, is now traveling around the country in limited release, and will hit home video in the U.
See full article at The Playlist »

Jean-Luc Godard’s Late Films: A Primer

In 1960, Jean-Luc Godard’s first feature film, Breathless, would make him an icon of French cinema, inaugurating a career that has consistently expanded society’s definitions and expectations of cinema. That film alone would have reason enough to consider him an important filmmaker, but Godard went on to direct fourteen more features through 1967, culminating with his attack on bourgeois culture, Weekend.

Following this extraordinary run of films, Godard found himself at a moment of great change. His romantic and artistic partnership with Anna Karina had ended, to be replaced with a new (but short-lived) marriage to Anne Wiazemsky, who would serve as a bridge to the current youth culture. Godard’s politics had also changed considerably since the 1950s. His conservatism, a relic of his parents’s politics, had been replaced with an interest in Maoism and an increasing distaste for anything evoking America. (Classic Hollywood cinema initially got a pass,
See full article at SoundOnSight »

Cannon Films: A 10-Part Appreciation of the Studio That Revolutionized ‘So Bad, It’s Good’ Movies

  • Vulture
Cannon Films: A 10-Part Appreciation of the Studio That Revolutionized ‘So Bad, It’s Good’ Movies
For fans of trashy, low-budget action films, Cannon Films defined the 1980s. The company was revitalized, after a decade-long rocky start, by director Menahem Golan and producer Yoram Globus, Israeli cousins now seen by many as the dollar-store precursor to the Weinstein brothers. As tasteless as they were unscrupulous, Golan and Globus are responsible for a flood of Charles Bronson, Chuck Norris, and Jean-Claude Van Damme films, not to mention cheapy ninja-sploitation films, eccentric art-house films (including Jean-Luc Godard's King Lear and John Cassavetes's Love Streams), and, uh, Lou Ferrigno as Hercules. This week, Warner Brothers collected a ten-film DVD/Blu-Ray box set to coincide with and bolster the release of Electric Boogaloo: The Wild, Untold Story of Cannon Films, director Mark Hartley's funny, informative documentary. In the spirit of Hartley's inclusive doc, we present a list of the ten most Cannon-y moments included in the box set.
See full article at Vulture »

Week in Review: ‘Captain America: Civil War’ adds Paul Rudd, Martin Freeman, Emily VanCamp

We’re just a week removed from The Avengers: Age of Ultron, and already people are moving on to talk about the next one. Captain America: Civil War is the next chapter (after Ant-Man) in the Marvel Cinematic Universe, and this one, (really, you guys) is the one you’ve been waiting for, not the one that came out seven days ago, whatever it was called.

The film involves a rift between the Avengers, particularly Captain America and Iron Man, and how Cap leads the new Avengers to deal with some political strife. We already know that it’s set to include a cameo with Spider-man, but now several other cast members were announced this week. First, Emily VanCamp, who appeared in Captain America: The Winter Soldier, will be reprising her role. Second is Paul Rudd, who after being introduced in Ant-Man will make an appearance in Civil War as well.
See full article at SoundOnSight »

'Art and the theory of art': "The Man from Laramie" and the Anthony Mann Western

  • MUBI
Anthony Mann

As much as any other filmmaker who found a niche in a given genre, in the 10 Westerns Anthony Mann directed from 1950 to 1958 he carved out a place in film history as one who not only reveled in the conventions of that particular form, but also as one who imbued in it a distinct aesthetic and narrative approach. In doing so, Mann created Westerns that were simultaneously about the making of the West as a historical phenomenon, as well as about the making of its own developing cinematic genus. At the same time, he also established the traits that would define his auteur status, formal devices that lend his work the qualities of a director who enjoyed, understood, and readily exploited and manipulated a type of film's essential features.

Though he made several fine pictures outside the Western, Mann as an American auteur is most notably recognized for his work in this field,
See full article at MUBI »

Norman Lloyd at 100: Hollywood’s Living Memory

The earliest surviving footage of broadcast television in America is a fragment of “The Streets of New York,” an adaptation of playwright Dion Boucicault’s 19th-century drama, aired by the experimental New York NBC affiliate W2XBS on August 31, 1939. All that now remains of the hour-long program is a silent, 11-minute kinescope, filmed off a TV screen and archived at the Paley Center For Media. And there, in those primitive flickering images, you can catch a glimpse of one of the show’s actors: the 24-year-old Norman Lloyd.

Next July, you can see the 99-year-old Lloyd in the Judd Apatow comedy “Trainwreck,” which shot on location in New York this summer and in which Lloyd plays, by his own admission, “a lecherous old man.” In between those unlikely bookends is a career that has quite literally spanned the 20th century and edged into the 21st, during which Lloyd has shared the stage,
See full article at Variety - Film News »

Nyff: Entering the Third Dimension with 'Goodbye to Language'

The New York Film Festival is finally about to begin and here is Glenn on one of the must-sees of the fest, Jean-Luc Godard's Goodbye to Language.

Much like the film itself, you’ll have to bear with me here. If I get lost or end up on tangents then don’t worry – it’s not only to be expected, but probably the intent. This will probably be messy, but this is a film titled Goodbye to Language so I feel it’s a safe zone, yes? You see, there is a lot to talk about. How about the use of 3D that is perhaps the best I have ever seen. And then there’s the bravura directions that director Jean-Luc Godard goes even once you think you may have his shtick down. And that’s before we get into the concept of subjectivity of ideas. For all I know,
See full article at FilmExperience »

Menahem Golan Remembered: Cannon Films Mixed Awards Bait with Schlock

Menahem Golan Remembered: Cannon Films Mixed Awards Bait with Schlock
Menahem Golan, who died Aug. 8 at age 85, loved movies, perhaps too much. At its height, Cannon Films — the Hollywood studio Golan ran with his cousin, Yoram Globus — was releasing nearly one film per week: an eclectic bounty of awards bait and bottom-drawer schlock, all foisted on the public with a mix of carnival-barker rhetoric and vaudevillian flair. In the 1980s, the Cannon logo was unmistakable, along with its promise of cut-rate adventure starring Chuck Norris, Charles Bronson, Lou Ferrigno or an up-and-coming Jean-Claude Van Damme. (That Golan never managed to team these signature Cannon brands in a single movie — an “Expendables” — boggles the mind.)

“It was an extraordinary experience to have a man who made decisions without thinking for three minutes,” recalls Andrei Konchalovsky, the Soviet emigre director who made four films for Cannon, including “Runaway Train” (1985). “That was the quality that also ruined the company, but it left me with carte blanche doing films.
See full article at Variety - Film News »

Daily | Menahem Golan, 1929 – 2014

Though his name is most commonly associated with the Charles Bronson and Chuck Norris action movies that Cannon Films churned out in the 1980s, Menahem Golan, who has died at the age of 85, also produced films directed by the likes of John Cassavetes (Love Streams), Andrei Konchalovsky (Maria's Lovers and Runaway Train), Robert Altman (Fool For Love), Franco Zeffirelli (Otello), Barbet Schroeder (Barfly), Norman Mailer (Tough Guys Don't Dance) and, perhaps most famously, Jean-Luc Godard, whose adaptation of Shakespeare's King Lear features Burgess Meredith, Molly Ringwald, Julie Delpy—and Woody Allen. » - David Hudson
See full article at Fandor: Keyframe »

Daily | Menahem Golan, 1929 – 2014

Though his name is most commonly associated with the Charles Bronson and Chuck Norris action movies that Cannon Films churned out in the 1980s, Menahem Golan, who has died at the age of 85, also produced films directed by the likes of John Cassavetes (Love Streams), Andrei Konchalovsky (Maria's Lovers and Runaway Train), Robert Altman (Fool For Love), Franco Zeffirelli (Otello), Barbet Schroeder (Barfly), Norman Mailer (Tough Guys Don't Dance) and, perhaps most famously, Jean-Luc Godard, whose adaptation of Shakespeare's King Lear features Burgess Meredith, Molly Ringwald, Julie Delpy—and Woody Allen. » - David Hudson
See full article at Keyframe »

R.I.P. Producer Menahem Golan

R.I.P. Producer Menahem Golan
The filmmaker behind the Death Wish sequels and such 1970s and ’80s Cannon Group actioners as The Delta Force the Lou Ferrigno-led Hercules died today in Jaffa, Israel, Haaretz reports. Menahem Golan was 85. The big-personality Israeli producer, writer and director was behind dozens of films during a nearly half-century career, featuring stars including Charles Bronson, Sylvester Stallone, Chuck Norris and Jean-Claude Van Damme. He also directed many of the films, including 1986’s Delta Force with Lee Marvin and Norris, and Stallone’s Over The Top the following year. Those and many others were produced by Cannon Entertainment, which Golan started with his cousin Yoram Globus. Cannon’s output also included such decidedly non-action fare as Bolero (1984), starring Bo Derek and George Kennedy; the Mario Van Peebles starrer Rappin’ (1985); A Cry In The Dark (1988), starring Meryl Streep and Sam O’Neill; and Jean-Luc Godard’s King Lear (1987). But the action
See full article at Deadline Movie News »

The Pursuit of Freedom: Abel Ferrara Discusses "Welcome to New York"

  • MUBI
Photo by Quentin Carbonell

Despite the fact the Festival de Cannes—for whatever reason—did not want Abel Ferrara's Welcome to New York, Cannes itself got the film, first in three separate cinema screenings staged during the festival, and then simultaneously online in France through video on demand. Wild Bunch, the film's producers, staged this alt-Cannes premiere as if it were a real one, complete with a press conference with director Abel Ferrara, screenwriter Christ Zois, and actors Gérard Depardieu and Jacqueline Bisset, as well as a series of interviews with the talent provided for the press.

I was able to participate in a roundtable conversation with the director, who was generous in time, spirit and patience with his surrounding journalists. For more on the film itself, see my report from Cannes, as well as Marie-Pierre Duhamel's report from Paris.

Question: I read somewhere that this film was
See full article at MUBI »

Cannes Film Review: ‘The Go-Go Boys: The Inside Story of Cannon Films’

Cannes Film Review: ‘The Go-Go Boys: The Inside Story of Cannon Films’
Both an affectionate tribute and a cautionary tale, “The Go-Go Boys” is a solid documentary that offers, as its subtitle promises, one version of the “inside story of Cannon Films.” Israeli helmer Hilla Medalia (“Dancing in Jaffa”) charts the careers of producers — and cousins — Menachem Golan and Yoram Globus, and the rise and fall of the empire they jointly built. Combining well-chosen archival material with articulate talking heads waxing nostalgic and entertainingly dishing dirt, this celebration of the two legendary showmen also encapsulates the Cannes Film Festival’s divergent impulses: selling schlock and adulating auteurs. Further fest play should segue into global broadcast.

Another version of the Cannon story, “Electric Boogaloo: The Wild, Untold Story of Cannon Films,” from cult documentarian Mark Hartley (“Not Quite Hollywood,” “Machete Maidens Unleashed”), has been in the works for several years but not yet surfaced. But while Medalia’s pic might be the cinematic version of an authorized biography,
See full article at Variety - Film News »

Video of the day. Jean-Luc Godard's "Letter in Motion"

  • MUBI
My dear President, dear festival director and dear colleagues,

Once again, I thank you for inviting me to the festival, but you know I haven't taken part in film distribution for a long time, and I'm not where you think I am. Actually, I'm following another path. I've been inhabiting other worlds, sometimes for years, or for a few seconds, under the protection of film enthusiasts; I've gone and stayed.

[Cut to a scene of Eddie Constantine as Lemmy Caution in "Alphaville"]

Eddie Constantine/Lemmy Caution: "I don't feel comfortable in this environment anymore. It's not longer 1923, and I'm not longer the man who fought through the police barricades, the man who fought behind the scenes with a gun in my hand. Feeling alive was more important than Stalin and the Revolution."

The risk of solitude is the risk of losing oneself, assumes the philosopher because he assumes the truth is to wonder about metaphysical questions, which are actually the only ones the everyone's asking.
See full article at MUBI »
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