The story starts with a childish play of a brother and sister, then continues in huge developments. Through passing too many difficult barriers, these lovely children, reach the peak of perfection. Niaz grows like a grain and blossoms.
When an ostrich-rancher focuses on replacing his daughter's hearing aid, which breaks right before crucial exams, everything changes for a struggling rural family in Iran. Karim motorbikes ... See full summary »
Mohammad Amir Naji,
The story is about the world of a small family with familiar dreams and not so remarkable problems. The mother is trying to lead everything to save her family, but small events disarrange all her plans.
Leila and Reza meet in a kind of celebration and fall for each other. Having discovered their love, they get married soon only to find out the infertility of Leila. That's when Reza's ... See full summary »
Mehdi is an orphan who lost his father in a car accident and his mother too passed away in giving birth to her second child. He thinks that Mrs. Fahimy who is a social worker is very look ... See full summary »
A man is living with his only daughter and does everything he can for a living and for his daughter's sake hoping she is his forever. But a misunderstanding makes everything really complicated for him.
The film is shot in Persian. However the dialogues between the door maker and the stubborn elderly villager is in Turkish language which is presumably Azerbaijan Turkish. See more »
What I mean to say is, suppose the kid did nothing wrong. What would you do? What then?
I'd find an excuse and give him a beating every other week. So he wouldn't forget.
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Actually it's hard to find any more words to define this masterpiece than the ones in the title of this review. If you are looking for something that would make you feel like you're reading a classic short story rather than watching a film, then this one is right that film. When you watch a film you have the vision, the sound, the effects, the music; almost nothing's left to your imagination and you watch the film effortlessly. Eventually, the story is misted over. On the other hand, in Khane-ye doust kodjast?, Kiarostami with his fascinating simplicity, takes you deep into a world of childish innocence. Everything from acting to cameras, is full of that precious amateur feeling. You actually feel amazed when you see how well Kiarostami managed to get such natural acting from a cast of all non-professional actors. Each character, each scene is tailored with Kiarostami's masterful observations. The film is so purely simple that, for a second, I even wished we didn't even have the music that plays only in two scenes, though I loved it. I personally believe, it really is a piece of art than a film.
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