Jocks

"Jocks" is indistinguishable from dozens of 80s teen comedies. Even such names as Christopher Lee (what is he doing here??) and Richard Roundtree can't give it much class. It's tame, it's predictable....but it's not dislikable. I'll give it a low rating (*1/2), but fans of such comedies would rate it higher. Those tennis scenes could've been handled better, though.

Spying the luminaries in the Jocks cast roster, it's tempting to imagine that this must be an elite breed of the adolescent coitus comedy promised by its poster artwork. It's not; Christopher Lee and Richard Roundtree reportedly only appeared in this film as a favor to director Steve Carver, and nothing that happens in this movie bears any relation to the image on that selfsame poster. Regardless, Jocks does feature a few time-capsule nuggets which disqualify it from being a complete waste of time. It's just a shame that a filmmaker with such talented friends couldn't find a better use for them than this.

The plot traces the journey of a group of hard-partying misfit tennis players who travel to Las Vegas to compete in a tournament that they must win in order to stop their school from cutting their funding and disbanding the team. Hijinks ensue, they hit some bars and meet some girls, conflicts arise and are surmounted, etc. In that sense, Jocks almost comes across as a real movie. Unfortunately, whether you enjoy tennis or not, it's not a sport that lends itself particularly well to an against-all-odds athletics story, which leaves only the comedy and the genre's lewder elements to supply the bulk of the thrills. Since the quantity of the latter is so paltry here, Jocks doesn't really qualify as a sex comedy, and with only a handful of chuckle-worthy moments to speak of, it barely qualifies as a comedy at all.

On the plus side, the Sin City setting adds immeasurably to the film's appeal, capturing the storied mecca in all of the delightfully divey glory of its bygone years. Viewers who never experienced Vegas before it was transformed into a high-tech adult Disneyland will barely recognize the place as it appears on the screen here. Most of the landmarks that defined the town in the '80s don't even exist anymore, so all of the establishing shots and backgrounds are rich with a nostalgia that's often more engaging than what's actually taking place in the movie.

Most of the characters are presented as one-note archetypes which exclude any real connection to them (Tex says "y'all" and wears a cowboy hat, yuppie Jeff is too square to party and has an ex-fiancée improbably named Muffy, Jheri-curled Andy hits on every girl he meets and is a good dancer, etc). Don Gibb from Revenge Of The Nerds is on hand to stretch his acting chops by essentially playing Ogre again, and much effort is expended trying and failing to make the rebranded "Ripper" this outing's equivalent break-out character. But the gang's centerpiece is the team's star player, "The Kid", who Scott Strader manages to infuse with enough charisma to make him mostly likeable even though he's basically a d-bag. Still, even though the film lingers its focus on this core squad, the supporting cast is far more memorable and enjoyable to watch. Lee and Roundtree would be welcome presences even if they were just reading out of a phone book, veteran pinch-hitter Trinidad Silva steals any scene he appears in, and a young and gorgeous Mariska Hargitay is a joy to behold whenever she's on the screen.

Jocks isn't strictly bottom of the barrel, but with so many promising elements in play that never reach their potential, the film is ultimately interesting for what it could have been rather than for what it actually is. 1980's completists will have a decent time, but for anyone curious why fans of the era still hold movies like this close to their hearts, there is a long list of titles that will provide much better answers than this one does.

Hunky Los Angeles college tennis player Scott Strader (as "The Kid") likes to party more than practice, so straight-laced pal Perry Lang (as Jeff Andrews) is worried about their championship possibilities. When coach Richard Roundtree (as Chip Williams) takes the team to Las Vegas, the nightlife threatens to ruin the tennis team's chance to bring home L.A. College's first trophy ever… Steve Carver's "Jocks" are an undeniably likable group, but their story is filled with dead humor. Don't expect any more than ONE good topless "girls gone wild" moment.

*** Jocks (1987) Steve Carver ~ Scott Strader, Perry Lang, Richard Roundtree

"Jocks" was filmed in 1984 and subsequently spent a few years on the shelf before getting released. Watching it, it's easy to guess why that happened. First, the "humor" in this movie isn't all that funny - it resorts to tired gags about people driving falling-apart cars and transvestites. Also, there are surprisingly a number of moments when the movie doesn't even seem to be trying to be funny - it's about half serious most of the time, in fact. The characters are uninteresting for the most part, save for Donald Gibb's character, which seems to have been lifted from another, more humorous and energetic movie. The tennis sequences are dull, relying on the same two camera angles over and over. As for the "R" rated material, most people I think will be disappointed - for the first hour, there is NOTHING beyond a "G" rating other than utterances of the words "t*ts" and "s*hit". Then there is some wet t-shirt and topless stuff, but none of it is displayed for very long. The only audience for this movie might be for die-hard Christopher Lee fans, since this is one of his rare appearances in a comedy - or should I say so-called comedy.

Jocks is a production from those purveyors of good taste, Crown International Pictures. In fairness, these guys were responsible for some good movies but most of them came out in the 70's when they put their hand to trends of the day that seemed to work better for them. By the 80's though it appeared to be low budget comedies all the way, and it would not be uncharitable to describe a lot of these as being 'uneven'. Jocks is an example of one of the cinematic staples of the day - the teen sex comedy. Except, there really isn't all that much sex but there is a lot of...tennis. A college sports coach must get a group of misfits under his charge up to a good enough standard to win a tennis tournament in Las Vegas; needless to say, the city attractions coupled with the underhand machinations of their rivals prove a major distraction for his protégés.

Seemingly this one sat on a shelf for a few years, which kind of makes sense when you see that the date of the tournament was '84, yet the film was released in '86. Presumably it was on account of its low quality, although I have frankly seen worse from Crown from the period, although admittedly not that much worse. The comedy is pretty basic stuff and seems to be based primarily around gags that can be elicited from laughing at stereotypes, to that end we have, amongst others, a wild man (played by the guy who starred alongside Jean-Claude Van Damme in Bloodsport (1988) - to say this fella's acting range appears to have been a bit limited would be something of an understatement), there's also a Mexican and a Prince lookalike transvestite. I did chuckle occasionally although I can't actually now even remember what at. So, it's not totally without humour but it is of a very low-brow standard, i.e. an angry man with a beard hitting tennis balls aggressively, out-dated gay humour, etc. It is enlivened a bit by the introduction of some breasts though - by contrast to the humour, this sort of production value never seems to get old for some reason. The film also is kind of notable for improbably starring Christopher Lee as the college head. I think it seems that like many others such as Al Pacino, Harvey Keitel, flared trousers and beards, the 80's was a barren wasteland of a decade for Lee and so he pitched up in some rubbish, only to return with flying colours later on. In the final analysis, this isn't very good but it's not exactly terrible either - if you are a tennis loving Christopher Lee fan, you are probably the demographic that Crown were aiming for, in which case, batter in.