Between 2013 and 2015, a group of nonprofit attorneys seek nonhuman clients for whom they can advocate in two U.S. territories, in order to establish legal personhood for elephants, cetaceans and nonhuman apes in the U.S.
A mogul merrily funds terrorists to boost his computer sales, by panicking West German government and industry c. 1980, as the third generation of Western European left-wing activists forms... See full summary »
Rainer Werner Fassbinder
Partially based upon the life of Sybille Schmitz, WI found fame under the Nazi regime, but woods career was destroyed afterwards, Veronika Voss is a once prominent UFA actress, kept by her doctor, raises suspicion in a sports journalist.
A wanted gangster is both king and prisoner of the Casbah. He is protected from arrest by his friends, but is torn by his desire for freedom outside. A visiting Parisian beauty may just tempt his fate.
When included with Monterey Pop (1968), the film was originally intended to be a television special to be shown on ABC. However, several ABC executives objected to much of the footage, especially the blatant sexuality of Jimi Hendrix's performance. In fact, Thomas W. Moore threw up his hands and said, "Not on my network" after viewing the footage. See more »
Not very long, but essential viewing for Hendrix (and most rock) fans
Still one of the most famous rock festivals of all time, Monterey Pop brought together much of the music that was striking chords with young people all over America- some of the talent that had been obscure or small time in the US (Otis Redding and Jimi Hendrix), while others were huge smash bands (The Who, Simon & Garfunkel, Mamas and the Papas), not to mention a breakthrough performance for Ravi Shankar. With this accompaniment to the feature film, which was released twenty years or so before this, Hendrix and the Experience brought their sound for the first time after being the cult favorites in the UK. It's not a long concert, but it can certainly be counted as one of his most notorious.
There were allegations, which perhaps could or could not be true (I haven't read any biographies about the concert, but I heard the rumors), that Hendrix was on acid during the set. Whatever he was on or wasn't on, the songs that come through (filmed with superb documentary detail by DA Pennebaker, with assistance from Albert Maysles) are none-the-less mesmerizing. Aside from what has been played over and over to show the insane magnitude of Hendrix (burning his guitar after a crazed rendition of "Wild Thing"), there's also a turn of "Like a Rolling Stone", "Hey Joe", and a beautiful bit with "The Wind Cries Mary". There could've been more in the way of interviews, but as it is, Jimi Plays Monterey is a fine little companion piece to the film.
4 of 4 people found this review helpful.
Was this review helpful to you?
| Report this