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Jaws: The Revenge (1987)

Chief Brody's widow believes that her family is deliberately being targeted by another shark in search of revenge.

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Writers:

(characters), (as Michael de Guzman)
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Cast

Cast overview, first billed only:
... Ellen Brody
... Michael Brody
... Jake
... Carla Brody
... Hoagie
... Thea
... Sean Brody
... Louisa
Jay Mello ... Young Sean Brody (archive footage)
... Clarence
Charles Bowleg ... William
... Mr. Witherspoon
Mary Smith ... Tiffany
Edna Billotto ... Polly
Fritzi Jane Courtney ... Mrs. Taft
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Storyline

After the encounter with the shark at Sea World, Sean Brody has returned to Amity. Here he has assumed his father's role, working for the police department, and is engaged to a young woman named Tiffany. His mother, Ellen, still lives in Amity as well. Mike Brody is now married to Carla and is researching conch snails with his partner, Jake, in the Bahamas. One night, while repairing a buoy in Amity harbor from the police boat, Sean is ambushed from below and killed by the Brodys' old enemy - a Great White Shark. After the funeral Ellen wants Mike to stay off the water, but he refuses and takes Ellen back to the Caribbean with him and his wife & daughter, Thea. Ellen starts trying to enjoy life again, meeting charming pilot Hoagie after having been a widow for some time. Mike & Jake encounter the Great White Shark on the water, and tag & track it for research. But the shark soon starts causing havoc, and comes after Thea on a banana boat ride! Now, Ellen, Mike, Jake & Hoagie will face... Written by Medic249a2

Plot Summary | Plot Synopsis

Taglines:

Man's deepest fear has risen again. [from trailer] See more »


Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 July 1987 (USA)  »

Also Known As:

Jaws 4  »

Filming Locations:

 »

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Box Office

Budget:

$23,000,000 (estimated)

Opening Weekend USA:

$7,154,890, 19 July 1987

Gross USA:

$20,763,013

Cumulative Worldwide Gross:

$31,118,000
See more on IMDbPro »

Company Credits

Production Co:

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Technical Specs

Runtime:

| (video) | (Unrated Edition)

Sound Mix:

Color:

(Deluxe)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The original script features a cameo for Richard Dreyfuss's character from the original Jaws (1975), marine biologist Matt Hooper. In Hooper's scene, he calls the Brodys and is greeted on the phone by Thea, who knows him as "Uncle Matt". Hooper is established as being close to Michael and Carla, who calls him "my second favorite marine biologist", and he gives them his condolences about Sean's death. Hooper and Michael discuss their careers, the late Martin Brody, and Hooper's once spending Christmas with the family, with Martin dressed as Santa Claus. The scene ends when Michael heads off to summon Ellen to the phone to talk to Hooper. See more »

Goofs

On the beach before Ellen and Hoagie go off on their flight, Ellen is wearing a white sweater. On the plane she's seen wearing a green sweater (a light brown jacket over her shoulders); seconds later, as she grasps the wheel, her sleeves are blue! At the festival, walking with Hoagie, she's wearing that blue sweater. Several costume changes in the space of an hour or less, within the same story segment? Continuity, shame on you. See more »

Quotes

Hoagie Newcombe: Bloody Hell! The breath on that thing!
See more »

Connections

Referenced in That's Showbusiness: Episode #8.11 (1996) See more »

Soundtracks

You Got It All
Written by Rupert Holmes
Performed by The Jets
Courtesy of MCA Records
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Frequently Asked Questions

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User Reviews

 
So bad, it's incredible...
29 October 2004 | by See all my reviews

If there ever were proof of the law of diminishing returns, the fourth entry in the Jaws series is it. The original was a taut thriller that launched the career of one of Hollywood's most celebrated directors. By comparison, Michael Caine often looks as if he is incredibly upset to be missing his award ceremony in order to appear in this piece. Lance Guest and Mario Van Peebles frequently appear to be wishing to have better things to do, while Lorraine Gary frequently looks stoned in moments when she is supposed to look frightening.

Clearly, the budget spent on this film didn't go into the research, script, or mechanical shark. Exactly why Michael Brody and his pals are putting what are apparently tracking devices on conch shells is never explained. Perhaps any explanation they thought of was so incredibly stupid that they thought it best to give up. An alternate explanation of why Michael is working in the water was never thought of, either. The true Ed Wood moment of the film comes towards the end of the piece, when the shark rises out of the water, and roars at Elaine. This is the first time I've heard of sharks having vocal cords. Given the box office draw this stinker had, I suspect it will be the last.

The shark takes a real beating here, too. The reason the shark wasn't seen often in the original was because Spielberg noticed that if one put it in front of the camera for long enough, the audience would notice that it doesn't move like a real shark. In this edition of the Jaws story, not only do they keep the camera focused upon the shark for more than enough time for the audience to notice the model's flaws, in so doing they make it crystal clear that this shark was made on the cheap. There are some shots in which the support structure of the shark is visible under the outer layer. There is even what appears to be a seam in the back of the shark's main fin.

To its credit, Jaws: The Revenge is well-photographed. While the 2.35:1 frame is often sparsely populated, depth of field is used with great effect in several shots. The fact that even frames with one character in them won't make sense when cropped to fit analogue television is a credit to the director and cinematographer. If only this kind of workmanship could have been seen in other aspects of the film.

Another area where Jaws: The Revenge deserves due credit is the score music. While the score is very much inspired by that which John Williams provided for the original, it distinguishes itself and genuinely works in its own right. In fact, one could almost say that the score music is more than the rest of the film deserves. The music is literally able to inject dramatic tension into scenes that, by all rights granted under the accepted rules of film-making, really shouldn't have any.

When all is said and done, I gave Jaws: The Revenge a one out of ten. It works as a comedy in the sense that it is a stinking pile of crap, but there are precious few moments when the people making it seem privy to the fact. As a result, the film winds up in a class all of its own. It's not just so bad its good, it is so utterly bad it is incredible.


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