Video game expert Alex Rogan finds himself transported to another planet after conquering The Last Starfighter video game only to find out it was just a test. He was recruited to join the team of best starfighters to defend their world from the attack.
The thief Gaston escapes dungeon of medieval Aquila thru the latrine. Soldiers are about to kill him when Navarre saves him. Navarre, traveling with his spirited hawk, plans to kill the bishop of Aquila with help from Gaston.
Tuck Pendleton is a cocky pilot, who is taking part in a miniaturization experiment. When some bad guys break into the lab to steal the technology, one of the scientists takes a syringe which contains the miniaturized Tuck and vessel. Now in the vessel is part of the material needed to restore him. But the other part which is the lab is stolen. The scientist's shot but before dying he injects Tuck into Jack Putter, a hypochondriac, who feels that something is wrong with him all the time. When Tuck links himself to Jack's systems, he discovers that something happened. So they go back to the lab, and discover what happened. Now they are told that unless they retrieve the material that was stolen they won't be able to restore Tuck before his oxygen is depleted. Now the government rep decides that the only thing that matters that as long as they have the other half of the material, it is useless to the thieves. So Tuck eggs Jack to go out and find the thieves. They enlist the aid of ...Written by
Ally Sheedy, Molly Ringwald and Demi Moore were also considered to play Lydia Maxwell which went to Meg Ryan. See more »
When Jack turns away from the mirror the picture in Tuck's pod should have turned with Jack's head, instead it stayed looking at Jack in the mirror. See more »
Nuclear weapons, Jack. They mean nothing. Everybody's got 'em, nobody has the balls to use 'em. Am I right?
[Jack shrugs, then tries to say something]
Space, you say? Space is a flop. Didn't you know that?
[Jack shakes his head]
An endless junkyard of orbiting debris. Ah, but! - miniaturization, Jack. That's the ticket. That's the edge everybody's been looking for. Who will have that edge Jack? What country... will control miniaturization?
[takes a puff of his cigar]
Frankly, I don't give a shit. ...
[...] See more »
The Special Effects credit at the end of the movie states "Mr Short's Interiors by Industrial Light and Magic". See more »
Everyone remembers that eighties sci-fi classic 'Back to the Future,' because - let's face it - it's awesome. It deserves it's spot in pop culture. Yet many people don't seem to hold that other eighties sci-fi popcorn flick 'Innerspace' in such quite high regards. And that's a shame... in my humble opinion, because it really is quite good fun.
In these days of 'shared universes' (thanks, Marvel!) I find myself seeing films that look like they could belong in the same 'universe' as others (like 'Universal Soldier' and 'Terminator 2' - again, just my opinion). And, after my most recent re-watch of 'Innerspace' I couldn't help but thinking how much it would fit alongside that time-travelling DeLorean and uber-cool hoverboard.
It's about a test piolt (Dennis Quaid) who gets miniaturised inside a pod during a lab experiment and then (inadvertantly) injected into some random guy's backside (Martin Short). The two of them form an unlikely bond as they try to reverse the effects before Quaid runs out of oxygen (or the baddies get hold of them!).
Now, it's fair to say that 'Innerspace' didn't set the Box Office as on fire as its producers would have liked. I don't think it bombed, but the film-makers were hoping for something akin to 'Back to the Future' in terms of success-levels. However, there's just something so fun about it that it deserves to be remembered, especially during this period of eighties nostalgia.
It's first strength is that it never slows down. It's perfectly edited so that you get almost straight into the action and learn to love the characters without any need for lengthy exposition or backstory. And the action flows thick and fast. There's one chase scene that reminded me of 'Indiana Jones and the Kingdom of the Crystal Skull.' In 'Indy 4' they had to rely on awful computer graphics whereas 'Innerspace' managed it with stunts.
Another thing that's worth mentioning is how when there's no action, there's humour. And this is down to the rapport between the actors. Everyone plays their part well. And, possibly the most important thing about 'Innerspace' is that it's a film that the whole family can enjoy. There's no need for violence or bad language. It acomplishes everything it needs to without any over-the-topness.
If you saw this back in the day, give it another go. Or if you're just looking for something to entertain the kids on a wet weekend, this should be enjoyed by all (even if you're not part of this current eighties revival!).
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