Fleur is the blue angel in one of Hong Kong's "flower houses" - bordellos and night clubs of the 1930's. A detached and beautiful performer, she falls in love with Twelfth Master Chan, heir...
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Raymond Bak-Ming Wong
In 1930's China, an opera troupe arrives at an abandoned theater, haunted by the spectral figure of it's previous owner - a once great opera singer - who now seeks to turn the company's young leading men into a great star like himself.
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Fleur is the blue angel in one of Hong Kong's "flower houses" - bordellos and night clubs of the 1930's. A detached and beautiful performer, she falls in love with Twelfth Master Chan, heir to a chain of pharmacies. They agree to a suicide pact. Jump ahead 50 years to modern Hong Kong: Fleur's ghost appears in Yuen's newspaper office, wanting to place an ad to find Chan, who never arrived in the afterlife. Yuen, and his equally bewildered girl friend, An Chor, are captivated by Fleur and her story.Written by
After the first half-hour when it becomes clear this is a romantic ghost story and you realize exactly where this film is going it's slow pace really begins to sink in.
It's a very well done film, well acted, a minimum of low-comedy (that rarely translates well to U.S. audiences) and has some nicely realized moments throughout. However it's a very slow film without a lot of twists, turns or surprises.
Christopher J. Jarmick (author: The Glass Cocoon -October 2000)
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