7.0/10
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398 user 266 critic

Hellraiser (1987)

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1:37 | Trailer
An unfaithful wife encounters the zombie of her dead lover; the demonic cenobites are pursuing him after he escaped their sadomasochistic underworld.

Director:

Clive Barker

Writer:

Clive Barker
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Popularity
1,174 ( 1,008)
2 wins & 6 nominations. See more awards »
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Cast

Cast overview, first billed only:
Andrew Robinson ... Larry
Clare Higgins ... Julia
Ashley Laurence ... Kirsty Cotton
Sean Chapman ... Frank
Oliver Smith ... Frank the Monster
Robert Hines Robert Hines ... Steve
Anthony Allen Anthony Allen ... 1st Victim
Leon Davis Leon Davis ... 2nd Victim
Michael Cassidy Michael Cassidy ... 3rd Victim
Frank Baker Frank Baker ... Derelict
Kenneth Nelson ... Bill
Gay Baynes Gay Baynes ... Evelyn
Niall Buggy Niall Buggy ... Dinner Guest
Dave Atkins Dave Atkins ... Moving Man 1
Oliver Parker ... Moving Man 2
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Storyline

When Kirsty's father, Larry, and stepmother, Julia, move into Larry's childhood home, Kirsty and her boyfriend take a room nearby. Unfortunately for all involved, Larry's house is already occupied: before the family's arrival, Larry's disreputable brother, Frank, used a supernatural puzzle box to summon a gang of other-dimensional demon sadists. Now, Frank requires a series of blood sacrifices to escape the clutches of Pinhead and the cenobites. Written by mrosesteed

Plot Summary | Plot Synopsis

Taglines:

It will tear your soul apart. See more »

Genres:

Horror | Thriller

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Originally, the opening sequence featured the Butterball cenobite reassembling Frank's mutilated face on the attic floor, using actual eyes, a tongue, and pulped flesh from a butcher's shop. Once the decision was made to emphasize Pinhead in press material (and after Barker decided he didn't like the special effects), Doug Bradley was brought back and a new scene was shot featuring Pinhead reassembling a prosthetic face. Simon Bamford (who plays the Butterball cenobite) was never informed. Consequently, for years, Bamford told fans at horror conventions that the brief shot included in the film of a hand piecing Frank's face together was taken from the scene he filmed. It wasn't until the 2010s, during the making of documentary on the Hellraiser series, that Bamford learned his scene had been entirely cut and that it was, in fact, Bradley's hand. See more »

Goofs

The amount of blood on Julia from inside the attic to the hallway to the bathroom. See more »

Quotes

[first lines]
Asian Merchant: [the Asian Merchant greets Frank] What's your pleasure, Mr. Cotton?
Frank Cotton: The box.
See more »

Alternate Versions

An uncut version is available on video in the USA and features a few seconds of extended graphic footage in the scene where Julia kills one of her victims, who pleads for his life as she is about to hit him with the hammer. See more »

Connections

Referenced in The Big Box: The Body Shop (2010) See more »

User Reviews

 
Gothic, Gory, Romantic, Beautiful, Colorful, and Tasteful horror film. A Gem!
28 October 2007 | by TruPretenderSee all my reviews

Contrary to what one might conceive in their minds BEFORE watching this classic horror movie, it should be said that Clive Barker has delivered us a real gem of a horror story, packed with intensity, both emotionally, as well as physically. "Hellraiser" is about love, lust, pain, and pleasure. It's been called an "otherworldly tale of pain and torture". It's been referred to as a grim, Gothic romance. Needless to say, it's gore following is much more in numbers than that of the "Lord Of The Rings" trilogy. Truly, this film is everything one see's it to be, from a romance, to a gore show, to a good ol' fashioned scare show. Either way, it's a fine film regardless. I might add, however, that it may come as a surprise upon first viewing. What is surprising, is the way it plays out very dramatic. Our characters are very down to earth, each with their own personal idiosyncrasies and inner demons, not to mention personal strengths. Each of them stands like a look at the different human desires, fears, joys, and sorrows. It plays out like a grim, Shakespeare play. A man and woman, Larry and Julia Cotton, moving into a home where memories dwell upon like haunting spirits. Larry is a charismatic optimistic gentleman, full of love and compassion for his wife, and his daughter, Kirsty. Julia is a human relic of baggage and fallen dreams, because she bears so many dark secrets, one of which is an affair with Frank, her husband's younger brother. Frank is alive, and replenishing himself after a rather nasty encounter with a Pandora's Box. Larry's blood, spilled over a hardwood floor, brings Frank back to life from an excruciating death, in one of the finest special effects sequences in cinematic history. Once Julia and Frank reunite, their love is more dangerous, and powerful than imagined. Together they conspire in the grand tradition of "McBeth" and "Othello", to reign in pleasure once again. Enter Kirsty, Larry's daughter, and Frank's niece. A warm hearted, but determined soul who crosses paths with Julia and Frank before they can finish their diabolical plan. Kirsty eventually encounters the dark secret beheld Frank upon his death, a puzzle box. It brings pain, pleasure, and death. Creatures of darkness; the Cenobites, angels to some, demons to others, come to Kirsty when she accidentally calls upon their ghoulish powers. Once unleashed, they must take someone back, and Kirsty knows now, how Frank is back, and she intends to return him to his deathly justice, and save her family...

The writing is just remarkable. Clive Barker has given us people, humans, planted in their own desires, and determinations, and he tears them apart with fear, pain, death, destruction, and total degradation. The Cotton family are the perfect example of purity, torn to shreds by hate, lust, and anguish, and he takes great glee in showing us all the gory details.

The production is a real high! This is what the best type of films are made of. Real, gory, bloody human remains, connecting to each other in divine sequence, to create a 100% greedy man. The colors are plenty and gorgeous. The look of the blood, and the shine of the lights, and the way the actors are lit... It's just beautiful. The music of the film is brilliant. Composer Christopher Young chills the film, and drenches it with his dramatic variation of the main title, and the rest of the music contains harsh strings, brass horns, music box cues, and rhythmic cues that speed the pace up with action.

Clive Barker is such a great writer and director, and filmmaker altogether. He has given us a great thriller that crosses the line between reality and fiction, in great taste and color, literally. It's no wonder twenty years later, the film stands on it's own, aside from it's sequels, and remains an ultimate horror classic to end them all...well some of them anyway. It's not the only horror film to portray itself intellectually, and it certainly has it's gore effect to an all time high. Still, it's quite a dashing and artful film, and always a treat to watch every time.


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Details

Country:

UK

Language:

English

Release Date:

18 September 1987 (USA) See more »

Also Known As:

Sadomasochists from Beyond the Grave See more »

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Box Office

Budget:

$1,000,000 (estimated)

Opening Weekend USA:

$4,453,232, 20 September 1987

Gross USA:

$14,564,027

Cumulative Worldwide Gross:

$14,575,193
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Company Credits

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Technical Specs

Runtime:

| (cut) | (cut)

Sound Mix:

Dolby Stereo

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
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