The Hendersons were a typical family living in the Pacific Northwest who owned an unusual pet: a real live Sasquatch. While on a camping trip, the Hendersons found Bigfoot, and brought him ... See full summary »
A boy obsessed with 50s sci-fi movies about aliens has a recurring dream about a blueprint of some kind, which he draws for his inventor friend. With the help of a third kid, they follow it and build themselves a spaceship. Now what?
Returning from a hunting trip in the forest, the Henderson family's car hits an animal in the road. At first they fear it was a man, but when they examine the "body" they find it's a "bigfoot". They think it's dead so they decide to take it home (there could be some money in this..). As you guessed, "it" isn't dead. Far from being the ferocious monster they fear "Harry" to be, he's a friendly giant. In their attempts to keep Harry a secret, the Henderson's have to hide him from the authorities and a man, who has made it his goal in life, to catch a "bigfoot".Written by
Bill Martin, who co-wrote the screenplay, wrote songs for Harry Nilsson's "Harry" album and is pictured (wearing a bear suit) inside the album's cover. Martin says that the character "Harry" in the film is named after Harry Nilsson. See more »
Harry copies the police car's siren on the freeway to get traffic to move out of their way so they can escape LaFleur. When George realizes what he's doing and sticks his head out of the window along with Harry to check where LaFleur is, the cars behind him are all stopped a long way behind him neatly and not surrounding their van as shown in all other shots of the traffic jam. See more »
An unlikely creature touches the hearts of a family in this underrated beauty. John Lithgow, Melinda Dillon and the rest of the cast all fit their characters perfectly. A wonderful chemistry of happy moments, sad moments and funny moments. The conclusion is both heartbreaking and heartwarming — not your typical family-film ending, but too perfect to be rewritten. The beautiful scenery of Washington State and the costume design are also to be admired. Joe Cocker's "Love Lives On" is the perfect song for this film's end credits. Followed by an inferior television series of the same name.
**** (out of four)
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