The Hendersons were a typical family living in the Pacific Northwest who owned an unusual pet: a real live Sasquatch. While on a camping trip, the Hendersons found Bigfoot, and brought him ... See full summary »
A boy obsessed with 50s sci-fi movies about aliens has a recurring dream about a blueprint of some kind, which he draws for his inventor friend. With the help of a third kid, they follow it and build themselves a spaceship. Now what?
Returning from a hunting trip in the forest, the Henderson family's car hits an animal in the road. At first they fear it was a man, but when they examine the "body" they find it's a "bigfoot". They think it's dead so they decide to take it home (there could be some money in this..). As you guessed, "it" isn't dead. Far from being the ferocious monster they fear "Harry" to be, he's a friendly giant. In their attempts to keep Harry a secret, the Henderson's have to hide him from the authorities and a man, who has made it his goal in life, to catch a "bigfoot".Written by
Richard Foley and Dana Middleton, the two news anchors listed in the credits, were real-life news anchors and talk-show co-hosts at Seattle's KOMO TV. Their brief appearance in the movie was from the set of their nightly local news magazine "Weeknight" which aired from 1983 to 1985, when it was replaced by the syndicated version of Jeopardy! (1984) when it moved from KIRO TV to KOMO TV. Another reporter is seen in the movie reporting from the actual newsroom of KOMO 4 News. Middleton and Foley also hosted "Northwest Afternoon," an afternoon daily talk show. Middleton left KOMO TV in 1993, and Foley followed suit in 1995. See more »
Harry copies the police car's siren on the freeway to get traffic to move out of their way so they can escape LaFleur. When George realizes what he's doing and sticks his head out of the window along with Harry to check where LaFleur is, the cars behind him are all stopped a long way behind him neatly and not surrounding their van as shown in all other shots of the traffic jam. See more »
Nan, don't you like roughing it in the wild?
Roughing it? George, the only thing rough about it was when the generator went out in the middle of Masterpiece Theatre.
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In the the thank you section of the credits, there is a thank you to Bigfoot. See more »
Harry and the Hendersons is one of the first films I remember seeing in the cinema as a kid. It was 1987 and my uncle had just passed his driving test so he was well into driving places and the cinema just happened to be one of them.
Even though the film is only 110 minutes long, they still had an intermission halfway through, for some reason. And I swear, they actually had ushers coming round selling stuff before it started back up again. I believe that is the first and only time I have seen such old-fashioned picturehouse practices. But it makes my original memory of this film so much more nostalgic.
The Hendersons consist of wannabe artist/gun salesman dad George (that always brilliant John Lithgow), loving mum Melinda Dillon, a bratty daughter and a hyperactive son. On returning from a camping trip in the Pacific Northwest, they accidentally run into some sort of large furry creature on the forest road. Originally believing it to be a bear, George steps out of the car to prod it with his gun a few times. But the bear has man-like hands and George suddenly asks his family 'What if it's...HIM'.
Bigfoot! Think of how much he's worth! So they tie him to the roof of the car and drive him home, while George thinks of the best way of selling him. Later that night, he is curious as to how big his feet really are. So he sneaks down to the garage with a measuring tape only to find that he's no longer strapped to the roof of the car, but poking around in the kitchen fridge.
The Hendersons stand back as bigfoot (or Harry as he is later renamed) stomps around the house and garden investigating all their strange belongings. Though he doesn't care much for all the animal trophies hanging around everywhere. Freaking out, George tries to snipe Harry from through the bedroom window, but has a change of heart when he realises that Harry is just big, harmless oaf.
The best scenes of the film involve Harry making himself at home in the Henderson house. His mannerisms and body language are similar to a child warned to be on their best behavior while visiting old relatives. He constantly looks a bit nervous and uncomfortable but is always ready to grab you for a big hug.
Rick Baker deservedly took home an Academy Award for Best Make-Up Effects back in 1988 for this movie. Harry Henderson is an amazing character with a wonderfully wide range of expressions and emotions. All E.T. ever did was sit there looking bug-eyed. Not Harry though, you can't help loving him. I so want my own Bigfoot.
Even now as an adult I think this movie is still great. As a kid I remember feeling the panic and excitement when Harry got lost in Seattle and the half-crazed Bigfoot hunter Jacques LaFleur (David Suchet) doing lots of sleaziness in order to have him shot, gutted and sold to science. Forgive the repeated comparison, but to me it was more involving and fun than the man with the keys in E.T.
You just don't get family movies like this anymore. Back in the 80's Steven Spielberg's Amblin production company made loads of great family movies like Gremlins, Goonies, the Back to the Future Trilogy, Young Sherlock Holmes and Innerspace. They all had some kind high-concept spin that crud such as Like Mike and Crapper by the Dozen don't.
It was a great time to be a kid back in those days. We weren't cynical and jaded and hooked on Playstation like modern children. We still had a sense of adventure, a longing for the outdoors. Anything could be out there. Maybe Harry is actually bumbling around in the woods as I write this.
Like the Patterson/Gimlin film that inspired it, Harry and the Hendersons is one movie that will be timeless forever.
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