Full Metal Jacket

Full Metal Jacket is an excellent war film. All the characters are very well written, and represent very common characters in the military. There's always a class clown, a hardened individual that's respected, and someone who just isn't capable. The acting of Vincent D'Onofrio in this is exceptional, he only has a short amount of screen time, but his story is very sad and impactful. The second half of the film starts to become less enjoyable, but nevertheless it's still a good film.

I finally got around to watching this for the first time.

The first half is a 10/10, the second half is a 7/10 and falls apart into what seems like every war movie's clichés, even though it's good enough.

The first half is a masterpiece of filmmaking- there's almost no flaws, the pacing is perfect, the acting great, it has an instant classic type experience to it you'll never forget.

The second half is good, decent but it doesn't rival the first half and its perfection. That makes its let down even more pronounced.

So overall, I give it an 8/10 because you can't overlook the drop in quality of the second half.

8/10

NO SPOILERS! This is a review, not a synopsis.

First of all I love Kubrick's work, so I came into this with a bias. However I have seen a lot of action and war films, and this one, to an individual who never went to war, seems the most true-to-life, taken as a whole. This IS how you have to look at this film, incidentally; trying to break it down into two or three parts and say which was better is missing the point of the film, I think.

In the same way that "Trainspotting" was an anti-drug film that did not gloss over anything, "Full Metal Jacket" is (for me) an anti-war film that stares straight at the ugliness of war and the potential for violence within almost all people, especially those trained, conditioned, even twisted, into military roles, without preaching even a single time. Less allegory and more applicability! Wonderful!

The camera work was superb. I felt like I was walking through the movie with the Marines, from the barracks to the battlefield scenes.

I have seen others criticize this film for the voice over, but I felt that it was used sparingly, and was helpful, not overdone. The narrator doesn't say anything that seems out-of-place.

Others have commented on the music, the acting, and so on, so I won't add my repetitive comments, except that the drill sergeant is perfect!

The combination of the demented treatment the recruits receive in boot camp with the combined "hours of boredom, seconds of terror" feel of the Vietnam scenes is intense and not for everyone, but feels REAL.

10 out of 10, perfect.

Though I've read only a couple of dozen of the nearly 500 comments on this film, I didn't see any from ex-Marines who'd had the Parris Island experience. I went through PI in 1957. The time period in the picture would have been about 1967, since the in-country sequence includes the '68 Tet Offensive. Little had changed in those 10 years except the switch from M1s to M16s.

For the most part Kubrick got Parris Island right on the money. And why shouldn't he have, since his screen DI, Lee Ermey was in fact a real DI before he started acting (he played another DI in "The Boys of Company C," an earlier and lesser Vietnam flick)? He had a built- in technical adviser. The screams and insults and profanity and physical punishment were all part of the DIs armamentarium. When you're facing up to 75 young strangers you need to immediately establish absolute authority and hang on to it for 13 weeks. Furthermore, you want to break the breakable as soon as you can. My platoon had its Private Pyles and though none ended up as he does in "Full Metal Jacket," I remember that they simply disappeared from our ranks, never to be heard from again. Nothing Ermey as Sgt. Hartman does is exaggerated.

Kubrick, however, does exaggerate. Speaking of Pyle's ending, it's almost impossible for me to imagine that a recruit could manage to sneak a clip of live rounds away from the rifle range. Every shooter at the range has his own rifle coach, and every single round is very carefully accounted for. Kubrick started the killing one scene too early.

I've read that DIs nowadays are forbidden to use the time-honored f-word, and are not allowed to lay hands on recruits. I don't know if that's good or bad for training (I had my face slapped hard my first day of boot camp and that was just for openers), but then all of us old-timers like to brag about how tough it useta be!

A final note: It's interesting to compare "Full Metal Jacket" to another attempt at a portrayal of Parris Island, Jack Webb's "The DI," made around '55 or '56. Webb tries for authenticity, but as I was to learn a year or so later, his PI was a boy scout camp.

'Full Metal Jacket' was a film that I had been meaning to watch for a while after all the good stuff I had heard about it.

It really is a film of two halves, unfortunately I didn't like the 2nd half.

The 1st half at boot camp was excellent, we saw a lot of character development and emotion as well as a lot of humour and really serious issues. R. Lee Ermey and Vincent D'Onofrio were just brilliant.

The 2nd half I didn't enjoy as much, it looked great and there was a lot of action but it was just a bit boring and felt really dragged out, whereas the 1st part just had everything that you wanted.

Glad I got round to seeing it but wouldn't watch it again, slightly disappointed after a really good start to the film.

6/10.