An Australian woman's car breaks down in the countryside. Seeking help, she's transported to 1944, witnessing a murder. Back in her car, time resumes normally, but unable to persuade others, she probes the crime herself.
Director:
Writers:
Stars:
Photos and Videos
Cast verified as complete
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Tracey Tainsh | ... |
Jackie Grenville
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David Reyne | ... |
Barry Norden
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| Norman Kaye | ... |
Reverend Aldershot
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| John Meillon | ... |
Bill Dolan
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| Ray Barrett | ... |
Harry Benson
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Phil Brock | ... |
John Hatcher
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| Andrew Blackman | ... |
John Mainsbridge
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| Andrew Johnston | ... |
William Morris
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Errol O'Neill | ... |
Programmer
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Penny Jones | ... |
Programmer
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Jennifer Flowers | ... |
Mrs. Grenville
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Kym Lynch | ... |
George Slater
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Ian Leigh-Cooper | ... |
Librarian
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Lynne Schofield | ... |
Madame Cheveraux
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Rod Warren | ... |
Television Newsreader
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Alexander Black | ... |
Archives clerk
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Robert Eastgate | ... |
Second detective
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| Keith Scott | ... |
Radio announcer (voice)
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Maurice Hughes | ... |
Country policeman
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Laurence Hodge | ... |
Man at telephone box
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Bill Watson | ... |
Farmer
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Swaggy | ... |
Self - Dog
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Tui Bow | ... |
Miss Morton
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Directed by
| Ron Way | ||
Written by
| James Fishburn | ... | (script) & |
| Ron Way | ... | (script) & |
| Matt White | ... | (script) |
| William Russell | ... | (original screenplay) |
Produced by
| James Fishburn | ... | producer |
| Matt White | ... | producer |
| Colson Worner | ... | executive producer |
Music by
| Tommy Tycho | ||
Cinematography by
| Malcolm McCulloch | ||
Editing by
| Pippa Anderson | ... | supervising editor |
Editorial Department
| Ray Cooper | ... | assistant film editor |
Casting By
| James Fishburn | ||
Production Design by
| Richard Rooker | ... | (uncredited) |
Art Direction by
| Richard Rooker | ||
Makeup Department
| April Harvey | ... | assistant makeup artist |
| Margaret Lingham | ... | hair stylist / makeup artist |
Production Management
| Penny Wall | ... | production manager |
Second Unit Director or Assistant Director
| Dorian Z. Newstead | ... | first assistant director |
| Kurt Olsen | ... | third assistant director |
| Gary Wilde | ... | second assistant director |
Art Department
| Terry Barry | ... | construction worker |
| John Bestavaar | ... | assistant construction |
| David Franks | ... | construction manager |
| Clifford Hillier | ... | construction worker (as Cliff Hillier) |
| Jill Loof | ... | props buyer |
| Aub Nieborg | ... | construction worker |
| John Watson | ... | stand-by props |
| Randy Vellacott | ... | fine artist (uncredited) |
Sound Department
| Greg Bell | ... | sound designer |
| Max Bowring | ... | sound recordist |
| Ray Cooper | ... | assistant sound editor |
| Julian Ellingworth | ... | Dolby sound mixed by |
| Phil Heywood | ... | post sync dialogue recorded by |
| Boris Karivoroutchko | ... | sound assistant |
| Mark Keating | ... | boom operator |
| Alasdair Macfarlane | ... | Dolby sound mixed by |
| Danielle Wiessner | ... | assistant sound editor |
Special Effects by
| Peter Shoesmith | ... | special effects |
| David Whan | ... | special effects |
Stunts
| Phil Brock | ... | stunt coordinator |
| Gordon Waddell | ... | stunt assistant |
Camera and Electrical Department
| Geoff Brown | ... | crane operator: Louma crane |
| John Bryden Brown | ... | assistant electrician (as John Bryden-Brown) |
| Richard Campion | ... | still photographer |
| Matthew Carius | ... | assistant grip |
| Tonti Connolly | ... | clapper loader |
| Les Frazier | ... | best boy |
| Warren Grieef | ... | grip |
| Tony Holtham | ... | gaffer |
| Jack Lester | ... | key grip |
| Gene Moller | ... | camera assistant: second unit |
| Geoffrey Owen | ... | camera grip (as Geoff Owen) |
| Henry Pierce | ... | camera operator / camera operator: second unit |
| Ross Powell | ... | gaffer: second unit |
| Brad Shield | ... | focus puller |
| Adam Williams | ... | generator operator |
Costume and Wardrobe Department
| Maureen Klestov | ... | wardrobe supervisor |
| Helen Mains | ... | wardrobe assistant |
Location Management
| David Adermann | ... | location manager |
| David Barbour | ... | location runner |
| Lee Dunlop | ... | location runner |
Music Department
| Paul Baker | ... | additional music |
| Martin Benge | ... | music recorder: E.M.I. Studios Sydney |
| Ken Laing | ... | music coordinator: Media Music Co-ordination |
| The Sydney International Orchestra | ... | music performers |
| Tommy Tycho | ... | conductor |
Script and Continuity Department
| Anthea Dean | ... | continuity |
Additional Crew
| Su Armstrong | ... | insurance broker |
| Tina Butler | ... | production coordinator |
| Margaret Garland | ... | producer's secretary |
| David Hodges | ... | opticals |
| George Kenny | ... | laboratory liaison |
| Frank Manley | ... | caterer |
| Andrew Mason | ... | title designer: opening titles |
| Ken McLeod | ... | safety officer |
| Roslyn Newbury | ... | production secretary |
| Paula Shield | ... | unit nurse |
| Bev Stephenson | ... | assistant to caterer |
| Marc Valinoti | ... | production runner |
| Belinda Williams | ... | production accountant |
Thanks
| Heather Philp | ... | special thanks (as Miss Heather Philp) |
Production Companies
Distributors
- CEL Film Distribution (1987) (Australia) (theatrical)
- Avatar Film Corporation Limited (1987) (United Kingdom) (VHS)
- CEL Home Video (1988) (Australia) (VHS)
- CIC Video (1987) (United Kingdom) (VHS)
- Magnum Entertainment (1987) (United States) (VHS)
- Malo Video (Canada) (VHS)
- New World Video (1987) (Canada) (VHS)
- Pegasus Entertainment (2002) (United Kingdom) (DVD)
Special Effects
Other Companies
- Remarkable Films (computer services)
- First Page (post-production supervisor)
- Superfine Motion Pictures (edge numbering)
- Elaine Holland & Associates (extras casting)
- Rea Francis Company (publicity)
- Atlab (Dolby sound mix by)
- United Sound (post sync dialogue recorded by)
- Spectrum Films (post sync effects recorded by)
- Capel Court (underwriter)
- Film Finances (completion guarantor)
- Sedgewicks (insurance broker)
- Mirage Effects (opening titles)
- Orana Car and Truck Rentals (production vehicles)
- Showtravel Tours (travel and transport)
- Panavision (lenses and Panaflex® Camera by)
- Samuelson Film Service Pty. Ltd. (camera equipment provided by)
- Samcine (Louma crane by)
- Queensland Film Corporation (the producers wish to thank)
- Queensland Police Services (the producers wish to thank)
- Queensland State Emergency Service (the producers wish to thank)
- University of Queensland (the producers wish to thank)
- Castlemaine Perkins (the producers wish to thank)
- The Aussie Report (the producers wish to thank)
- Spectrum Films (post-production facilities)
Storyline
| Plot Summary |
An Australian woman's car breaks down in the country, and when she goes to get help, she's whisked back in time to 1944 and witnesses a murder. Returning to her car, time reverts to normal, but unable to convince anyone of her story, she investigates the crime herself.
Written by Brian J. Wright |
| Plot Keywords | |
| Taglines | The farm . . . where the calendar plays strange tricks. See more » |
| Genres | |
| Parents Guide | Add content advisory for parents » |
| Certification |
Additional Details
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Did You Know?
| Trivia | This film is considered an "Ozploitation" (Australian exploitation) picture. See more » |
| Soundtracks | Stay With Me See more » |