Medea is in Corinth with Jason and their two young sons. King Kreon wants to reward Jason for his exploits: he gives the hand of his daughter, Glauce, to Jason as well as the promise of the... See full summary »
A film director and a script writer (performed by Lars von Trier and Niels Vørsel themselves) write a screenplay, in which an epidemic spreads about the whole world. Like the protagonist they do not notice, that a real epidemic is developing around them.Written by
Fredrik Klasson <firstname.lastname@example.org>
The script von Trier and Vørsel have just finished writing at the beginning of the film is titled "The Policeman and the Whore" - an apparent reference to their previous collaboration, The Element of Crime (1984), whose lead characters are a detective and a prostitute. See more »
What the hell. All a nigger needs are loose shoes, tight pussies, and a warm place to shit.
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The film's title appears in red letters in the upper left corner of the screen for the entire length of the film. See more »
Epidemic sounded like it had an interesting concept when I got it from Netflix. The film follows the parallel stories of two screenwriters writing a script about a plague even as an epidemic breaks out around them, and scenes from the film they are writing. Leave it to Danish auteur Lars von Trier to ruin what could have been an extremely interesting movie.
The film's problem is that it has no real plot per se, just a series of unrelated images that fail to coalesce into a unified film. Large parts of the film seem to meander with no relevance to the rest of the film. At one point, the film pauses for five minutes to discuss the diseases that plague vineyards. Lars, we're here for the human epidemic, not to hear about noble rot!
Furthermore, the film is ugly looking for the most part, shot in a grainy black and white. Although this works in a scene where they are going through a lighted tunnel, it is overall annoying. Having the title up on screen for almost the entire picture was also distracting.
There are a few interesting scenes, such as a bit with Udo Kier, but it is not enough. Only at the end does the film achieve a disturbing quality with a genuinely haunting finale. By this point, however, it's too late. The viewer has lost interest and feels that his or her time has been wasted.
5 of 8 people found this review helpful.
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