Lawrence is a rich kid with a bad accent and a large debt. After his father refuses to help him out, Lawrence escapes his angry debtors by jumping on a Peace Corp flight to Southeast Asia, ... See full summary »
Steven Gold is a stand-up comedian who is flat broke and has recently dropped out of medical school. He and several others work regularly at the Gas Station, a New York comedy club. The ... See full summary »
A highly successful advertising executive decides to put his job on hold after getting an update from his father that he and his wife are divorced and decides to extend his break after revealing that his father is a diabetic.
This theatrical feature film is the fifth of seven film and television installments of "Dragnet" after its original appearance on NBC Radio in 1949. Previously, there had been two television series, one in the 1950s, Dragnet (1951) and one in the 1960s and 1970s, Dragnet 1967 (1967), and two features, one a 1950s cinema movie, Dragnet (1954), and the other a 1960s television-movie, Dragnet 1966 (1969). After this 1987 cinema movie, Dragnet (1987), there have been two more television series, one in the 1980s and 1990s, Dragnet (1989), and one in the 2000s, Dragnet (2003). See more »
After stopping the PAGANs at Caesar's Mansion, Jerry Caesar walks up to Joe Friday and offers to repay him by giving Friday a lifetime subscription to "Bait, Dollies, and Field and Cream". Yet when the PAGANs are torching the magazine warehouse at the beginning of the film, there is a large sign on the side of the warehouse that shows the magazine titles in Caesar's line as "Bait, Field and Cream, and Cable Girls". "Dollies" isn't mentioned. See more »
[on a motorcycle with Pep]
Streebeck, there's no road here!
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Towards the end of the film, when Streebeck arrests Muzz, he raps him his rights. In the closing credits there is an extended version of this, with Friday and Streebeck rapping about rights, as well as about the PAGAN ritual they witnessed. See more »
UK cinema and video versions were cut by 14 secs by the BBFC to remove shots of nunchaku during a fight scene, as these were strictly outlawed in the UK at the time. The cuts were restored for the 2001 Columbia release. See more »
I noticed that many of the comments on this film were negative. Those people need to loosen up and get "just the facts." Maybe I see more of the humor because I am a law enforcement officer, but this film is a scream. It takes everything that the original series did, and does it with tongue firmly planted in cheek. Dan Ackroyd's deadpan Jack Webb impersonation is a riot, as are the remarks he makes to Hanks' Pep Streebeck. A typical example would be after Joe ignores Sylvia Wiss' advances, and Pep calls him on it. Joe looks him dead in the eye and says, "Streebeck, there are two things that separate us from the animals. One, we use cutlery. Two, we can control our sexual urges. I don't know about you, but don't drag ME into your private HELL!" That line is so Jack Webb-DRAGNET that I'm surprised it never showed up in the 1960's version. Like the Austin Powers films, DRAGNET spoofs a cultural icon in such a way as to evoke the original. Ignore the silly plot, and just enjoy the ride.**PS**I have actually used the line I quoted above in the line of duty!
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