Good girl Sandy Olsson (Olivia Newton-John) and greaser Danny Zuko (John Travolta) fell in love over the summer. When they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance?
In 1963, Frances "Baby" Houseman, a sweet daddy's girl, goes with her family to a resort in upstate New York's Catskill Mountains. Baby has grown up in privileged surroundings and all expect her to go on to college, join the Peace Corps and save the world before marrying a doctor, just like her father. Unexpectedly, Baby becomes infatuated with the camp's dance instructor, Johnny Castle, a man whose background is vastly different from her own. Baby lies to her father to get money to pay for an illegal abortion for Johnny's dance partner. She then fills in as Johnny's dance partner and it is as he is teaching her the dance routine that they fall in love. It all comes apart when Johnny's friend falls seriously ill after her abortion and Baby gets her father, who saves the girl's life. He then learns what Baby has been up to, who with and worse, that he funded the illegal abortion. He bans his daughter from any further association with "those people". In the first deliberately willful ...Written by
Amanda W, amended by Linda C.
The "Ludwig" logo on Tito's drummer's drum set wasn't introduced until the late 1960's/early 1970's. See more »
Radio disc jockey:
Hi, everybody, this is your Cousin Brucie. Whoa! Our summer romances are in full bloom, and everybody, but everybody's in love. So cousins, here's a great song from The Four Seasons.
That was the summer of 1963 - when everybody called me Baby, and it didn't occur to me to mind. That was before President Kennedy was shot, before the Beatles came, when I couldn't wait to join the Peace Corps, and I thought I'd never find a guy as great as my dad. That was the ...
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Original 'Feel good" dance epic -- often imitated Never Duplicated
This is one of those rare rare films that needs a 30 year break between the time of production and the time of the review in order to appreciate it.
Since 1987 I have seen this film 7 or 8 times. Each time it just gets better. As a Prolific Review here on the IMDb, I can count on the fingers of one hand the number of films that improve with age like that.
This is literally the original "feel good" dance film -- which spawned dozens if not hundreds of imitations. The script is perfect. The acting is perfect. The casting is perfect. The direction is perfect. And the music score is to die for.
Nobody puts Baby in a corner? Well, nobody should ignore this film either! Also has an odd note of the "one hit wonder" label about it, which in my view only makes it more of a treat than it already is.
Swayze's career was unfortunately cut short. Jennifer Grey, who practically made this role a part of her DNA, had a nose job and (the cynics say) lost a lot of later roles because the casting directors were afraid no one would recognize her. And the brilliant writer/Producer Elenor Bergstein for whom this was a labor of love (there was a documentary on this) also seemed to hang up her spurs when production wrapped.
The IMDb rating is a joke. This is no less a classic in its genre than Maltese Falcon or the Matrix.
See it, rent it, buy it. But don't forget it.
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