Strippers in Manhattan are being stalked and maimed by a psycho-killer. A conflicted ex-boxer-turned-talent-manager and his business partner and friend, who represent some of the girls, set out to find him before he strikes again.
Billy Dee Williams,
A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
Mr. Devereaux is a powerful man. A man who handles billions of dollars every day. A man who controls the economic fate of nations. A man driven by a frenzied and unbridled sexual hunger. A ... See full summary »
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
A timid and mute seamstress goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York City after dark and randomly shoots men with a .45 caliber pistol.
We must never allow ourselves to be divided by war... or to be interfered with by police investigations... all because a few reckless children cannot live within our tradition of our society. Our responsibility is to control our children.
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After the credits there is a line: Dedicated to the people of Chinatown and Little Italy. See more »
The UK video version was cut by 7 seconds to remove the use of a butterfly knife. The Columbia DVD features the same cut print. See more »
Director Abel Ferrara hit's the street's with this modern take on Shakespeare's Romeo and Juliet set amongst waring Italian and Chinese gangs this is more so the younger generation as the much older and wiser mafia / triad figures set out for peace so they don't draw unwanted attention from the man in blue. However these young-guns make it a battleground and caught between it is two love-struck lovers; a Chinese girl Tayn-Hwa and Italian lad Tony Monte. They don't care about colour or race, despite what's happening all around them and what it could do to them or even loved ones.
There's no real surprises to the old hat, if simply low-key material (which was penned by Ferrara's collaborator Nicholas St. John), as we pretty much know how this dangerous story plays out and eventually finishes, however director Ferrara has a gritty, but devoted style and upbeat tempo that's uniquely his own that elevates the conventional framework with his striking eye for a sense of place and powerfully lasting imagery that's uncompromising. He does more than just direct from the screenplay. The concentration on the tough, smoky urban setting (with excellent location photography of New York's bordering neighbourhoods Chinatown and little Italy), helps build a seedy atmosphere where hatred and violence is simply waiting to boil over, as obsession and pride becomes a death wish. Ferrara polarises it very well, especially the conflict not between (which is still quite blistering), but within the same races seeking out honour in who they are ---- this is where it was at its strongest, because the forbidden love angle (while important to the plot's progression) did stall and take away from some of the underlining tension. Although outside of its pushy race card slant, it does feel like it's just building up these explosive acts to glorify its foreseeable conclusion. Joe Delia's melancholy score fits in perfectly.
The performances are down-to-earth and genuinely projected by its cast. Richard Panebianco and Sari Chang are sympathetically touching as the two lovebirds. An admirable James Russo and especially a hot-headed David Caruso bring an unstoppable intensity to their roles. Russell Wong is quite laid-back in a sound performance, in his quest to please his elders by controlling his gang and that of his wayward sister. Journeyman actor James Hong pops up, as well as Robert Miano as heavies.
You might call it lesser Ferrara compared to his other works, but it's involving and efficiently handled with his trademark raw and brutal edge shining through.
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