In 2017, a successful businessman travels to the ends of the earth to find that the perfect woman is always under his nose. He hires a sexy renegade tracker to find an exact duplicate of his android wife.
In 2017, a rich man travels to the ends of the earth to find that the perfect woman is always under his nose. When successful businessman Sam Treadwell finds that his animatronic wife, Cherry 2000 has shorted out, he hires sexy renegade tracker E. Johnson (Melanie Griffith) to find her exact duplicate. Their journey to replace his perfect mate leads them into the treacherous and lawless region of Zone 7, under the tyrannical overlord Lester. During their journey, Treadwell learns the hard way that the perfect woman is made not of computer chips and diodes, but of real flesh and blood. Written by
Ron Borgstedt <email@example.com>
In the late 1980s, the record label Varese Sarabande issued a special limited edition soundtrack CD for this film of about 1500 copies containing the late Basil Poledouris' musical score. It received high collectible status soon afterwards. In 1997, an anonymous collector purchased this CD for the then record sum for a CD of two thousand five hundred dollars in an auction. The soundtrack has since been reissued through another label in 2004. See more »
The digital clock in Slim's repair shop jumps back and forth between 3:46 and 3:47 between shots. See more »
Okay, "Cherry 2000" has finally achieved "cult film" status. But unlike many other cult movies, it actually deserves the title.
There are many things to like about this flick. The nuanced, likeable Ben Johnson has a good role that even delivers some tragedy (how often do you get that in a b-movie?). The charismatic Griffith is alternately contemplative and kick-ass. Of course, Tim Thomerson as Lester nearly steals the show, providing a truly strange, ruthless villain.
The effects are cheesy, sure, but they never look fake, unlike a lot of the CGI films coming out today. When you see E. Johnson's Ford being dangled over the Hoover Dam, that is an ACTUAL car, not some stupid digital effect.
The movie does lay its message on thick, but considering the obvious budget constraints they were working with, that's a perfectly excuseable flaw. The satire is at times hilarious (watch for Larry Fishburne's turn as a lawyer with Morpheus-esque reflecting sunglasses, and the final exit of the villain is truly visually ironic). I bought this on DVD (having never seen it on TV) and really liked it...maybe you will, too.
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