In 2017, a successful businessman travels to the ends of the earth to find that the perfect woman is always under his nose. He hires a sexy renegade tracker to find an exact duplicate of his android wife.
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Nicole, nurse in Grenoble, is raped one night by four men. Deeply scarred, emotionally and physically, she thinks she will never recover from the trauma. Following a friend's advice, she ... See full summary »
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Michael D. Roberts
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Tanita Tikaram performs in the music video "Twist in My Sobriety" from the album "Ancient Heart" recorded for WEA Records. In the sepia-colored music video, Tanita Tikaram sings in a ... See full summary »
In 2017, a rich man travels to the ends of the earth to find that the perfect woman is always under his nose. When successful businessman Sam Treadwell finds that his animatronic wife, Cherry 2000 has shorted out, he hires sexy renegade tracker E. Johnson (Melanie Griffith) to find her exact duplicate. Their journey to replace his perfect mate leads them into the treacherous and lawless region of Zone 7, under the tyrannical overlord Lester. During their journey, Treadwell learns the hard way that the perfect woman is made not of computer chips and diodes, but of real flesh and blood.Written by
Ron Borgstedt <email@example.com>
The scene where Sam drives his yellow Trihawk 304 three-wheeled car to the Glory Hole Hotel features a very inside joke. As he stops the car, he parks next to a broken-down yellow Renault Le-Car with a rocket launcher mounted on the roof. Hawk Vehicles, Inc. used the suspension from the Le-Car and steering from another Renault model in the production of the Trihawk 304. See more »
After the Mustang runs into the rock, a truck with people from the Sky Ranch arrives, and Sam shoots out a headlight on the truck. In subsequent shots, both headlights are intact. See more »
You and I, we both know. Each one of these honeys is special - in her own special magic, in her own special way.
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I don't like either lead actor. The effects are cheesy and below "The A Team." The film doesn't paint in broad strokes; its message is slopped on with push brooms.
But doggone, I get a kick out of this thing everytime it airs.
Maybe it's the handful of stars and almost stars and the games of "Holy Cow! That's where they were then." Marshall Bell, Pamela Gidley, Griffith herself.
Maybe it's the camp, as if the producers knew that a Bruckheimeran picture was beyond them, so they reveled in their low budget and milked everything to the point that teenage boys (my age when I first saw it) can't quite be sure if this is straight or tongue-in-cheek. (The Self-Actualized Nazis of Zone 7, with their proto-New Age totalitarianism are a hoot. Give them more lines!)
It defies explanation, and I suppose it's the mystery that keeps me tuning in.
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