Burial of a Christian political activist in a Muslim cemetary forces a conflict imbued with religious fervor. A satiric portrayal of religion and politics, sometimes humorous, sometimes ... See full summary »
Marie Augustine Diatta,
Mame Ndoumbé Diop
The Ceddo try to preserve their traditional African culture against the onslaught of Islam, Christianity, and the slave trade. When King Demba War sides with the Muslims, the Ceddo kidnap ... See full summary »
It is the dawn of Senegal's independence from France, but as the citizens celebrate in the streets we soon become aware that only the faces have changed. White money still controls the ... See full summary »
A money order from a relative in Paris throws the life of a Senegalese family man out of order. He deals with corruption, greed, problematic family members, the locals and the changing from... See full summary »
A once-prosperous Senegalese village has been falling further into poverty year by year until the village's elders are reduced to selling town possessions to pay debts. Linguère, a former ... See full summary »
Djibril Diop Mambéty
Djibril Diop Mambéty,
Set in a pre-colonial African past, Tilai is about an illicit love affair and its consequences. Saga returns to his village after an extended absence to discover that his father has taken ... See full summary »
April 1945: Gregor Hecker, 19 years of age, reaches the outskirts of Berlin as part of the Red Army's scouting team. Having fled Germany with his family when he was eight, he is confronted ... See full summary »
Camp de Thiaroye by Senegalese Director is a war movie without a war. Set on an army post in Senegal towards the final days of WWII, it follows a regiment of the French West African Armed Forces who have returned from a tour of duty in Europe. The story is an allegory for the resistance movement to colonialism that sprung up after the war and led to the end of colonialism. Often bloody, it captures the relationship between American soldiers stationed in Dakar, French commanding officers and the French West Africans while touching on issues of racism, inferiority complex and black on black relationships. Never one to lead the audience, Sembene takes his time staging scenes often with beautiful framing that eats up the edges of the screen. It may leisure and some scenes are didactic but it never wavers in its utmost honesty and its eventual humanism resulting from a cataclysmic ending that is both gripping that echoes the refrain that maybe we are all crazy. It is one of the better movies of this master of cinema and in this reviewer's opinion, a 10/10.
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