Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance.Written by
Scott Renshaw <email@example.com>
Brother and sister John Cusack and Joan Cusack are listed in the film's cast list for this movie. This film is one of ten cinema movie collaborations of the siblings (to date, June 2015). See more »
During the special report, Jane is seen yelling by phone at field producer Estelle about finding a parking spot, presumably so her crew can provide their portion of the report. Immediately after that phone conversation, however, Jane tells Tom to fill for a minute and then tells him to wrap it up. There is no other mention of Estelle's segment of the report. See more »
No, no, no it wasn't just the speech, the same thing happened with this guy. I have passed some line, some place. I am beginning to repel people I'm trying to seduce.
He must've been great looking...
Why do you say that?
Because nobody invites a *bad* looking idiot up to their bedroom.
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Albert Brooks' singing of "L'Edition Speciale" from the film also briefly appears in the end credits. See more »
Essential viewing for anyone who watches TV news as it may help to become a little more sceptical, or even cynical. On a personal note I recall taking a course some years ago about being interviewed for TV - what to do, what not to do. The course instructors impressed on us that TV news was a "branch of show-biz". That depressing view, which is probably even more valid today than when it was made, is reinforced by this film. Never mind journalistic integrity, what counts is the ability to look good and smile nicely. And make sure you don't sweat on camera.
The interactions between the three main characters form the centre-piece, each with his or her own ambitions, capabilities and beliefs. Brooks takes these differences and sets them into the volatile setting of a TV news studio, and adds more than a pinch of love interest to the mixture. The result is a complex, if somewhat overlong, portrayal of how we compromise every day in order to meet our ambitions and take others with us. It is always entertaining, although the final scene was, perhaps, unnecessary given everything that had gone before.
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