Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance.Written by
Scott Renshaw <firstname.lastname@example.org>
Was selected for preservation in The National Film Registy by the Library of Congress in 2018, for being culturally, historically or aesthetically significant. See more »
When Jane is giving the cab driver direction to the bar to meet her co-workers after the special report, the directions make no sense. She says "Capp's Bar" is on 17th & Vermont. There is no 17th & Vermont, the two streets do not intersect. Also Jane says "take Connecticut over to 15th and then straight down Vermont and we should bypass Thomas Circle". Connecticut and 15th do not intersect and going straight down Vermont will take you right through Thomas Circle, not around it. See more »
BROADCAST NEWS marks the first time I saw Holly Hunter and I was mesmerized at her focus, quickness, passion, and finally her eccentric prettiness and sex appeal. The movie is hers from start to finish, and makes the 'love triangle' subplot almost unnecessary. She's so smart in the film (a rarity for a lead female) that you almost think if her only romantic choices are William Hurt's style-but-no-substance anchor or Albert Brooks's neurotic but intellectually arrogant reporter, she'd be better off with Robert Prosky. Though I can best relate to Albert Brooks (the guy who loves the smart, alluring girl who only sees him as a 'brother'), he still ticked me off a bit. My favorite scene in the film is him pouring his heart out to Hunter on a front porch confessing his love, then taking her by surprise and kissing her romantically (the only time he gets the chance). When he goes petulant later in the story, it's a bit hard to take. Fortunately, the James Brooks script and direction are a joy throughout, culminating in two perfect scenes: one with Joan Cusack unraveling seconds before a tape feed, and a marvelous 360 (?) pan thru the studio showing a live news feed from producer to anchor in one shot.
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