The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit...
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Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the ... See full summary »
A semi-autobiographical account of Makmahlbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they ... See full summary »
Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
Consisting of three separate stories, the director explores "Man" as a theme: birth, life and death, to present a sometimes comic, sometimes tragic portrait of life at the bottom of the ... See full summary »
The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit promoter who sells tickets to watch Nasim ride a bicycle continuously for a week. The promoter brings in sick and aged spectators, haranguing them to find hope in Nasim's strength. Aided by his son, who feeds him as he rides, Nasim grinds out the days and shivering nights. Local officials believe this may be a plot and Nasim may be a spy; they try to sabotage him as do those who bet he won't finish the week. Will desperation alone get Nasim the money? Is any triumph an illusion?Written by
One desperate father and husband as an Afghan refugee Everyman
In the aftermath of the Soviet invasion and civil war, hundreds of thousands of Afghans fled across the border with Iran. There they struggled to survive, offering themselves as day labourers at exploitive wages, harassed by officials and just ignored by the bulk of Iranian society. Mohsen Makhmalbaf's 1987 film BICYCLERAN ("The Cyclist") is an allegory for the Afghan refugee experience,
Nasim (Moharram Zaynalzadeh) must pay the hospital stay of his ailing wife and bring up his son Jomeh (Mohammad Reza Maleki), but even backbreaking labour as a well-digger doesn't pay the bills. When a local business learns that Nasim once rode a bicycle for three nonstop, he offers the desperate man the chance to save his family: ride a bicycle for a week in a makeshift circus ring.
Makhmalbaf communicates Nasim's lack of humanity by giving him very few lines. Most of the film consists of arguments among the gamblers and local politicians who stand to profit or lose from Nasim's act, as in the background he circles around and around and around. This film would already be heartrending if it were a straight-up tale, but Makhmalbaf makes it even more poignant with a light dusting of magic realism.
Though less elegant than some of his later films like NUN VA GULDOON (released internationally as "A Moment of Innocence"), this is a memorable film and it's easy to see how it established Makhmalbaf's reputation internationally. Iranian cinema holds many delights, and this is one of its triumphs.
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