The Belly of an Architect (1987)

An architect supervising an exhibition starts to have mysterious stomach pains while his life slowly falls apart.

Director:

Peter Greenaway

Writer:

Peter Greenaway

Stars:

Brian Dennehy, Chloe Webb, Lambert Wilson

2 nominations.

Cast

Cast overview, first billed only:
Brian Dennehy	...	Stourley Kracklite
Chloe Webb	...	Louisa Kracklite
Lambert Wilson	...	Caspasian Speckler
Sergio Fantoni	...	Io Speckler
Stefania Casini	...	Flavia Speckler
Vanni Corbellini	...	Frederico
Alfredo Varelli	...	Julio
Geoffrey Copleston	...	Caspetti
Francesco Carnelutti	...	Pastarri
Marino Masé	...	Trettorio
Marne Maitland	...	Battistino
Claudio Spadaro	...	Mori
Rate Furlan	...	Violinist
Julian Jenkins	...	Old Doctor
Enrica Maria Scrivano	...	Mother

Storyline

An American architect arrives in Italy, supervising an exhibition for a French architect, Boullée, who is famous for his oval structures. Through the course of 9 months he becomes obsessed with his belly, suffers severe stomach pains, loses his wife, exhibition, his unborn child and finally his own life.

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Plot Keywords:

italy | architect | stomach | british renaissance | female pubic hair | 

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Genres:

Drama

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Certificate:

R

Details

Country:

UK Italy

Language:

English Italian

Release Date:

16 October 1987 (UK)

Also Known As:

Arkitektens mage

Filming Locations:

Aurelian Walls, Rome, Lazio, Italy

Box Office

Gross USA:

$287,725

Company Credits

Production Co:

Callender Company, Mondial, Tangram Film

Technical Specs

Runtime:

119 min

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Much is made of the withdrawal from circulation of the Bank Of England one pound note which featured Sir Isaac Newton on the obverse. They ceased to be produced at the end of 1984 and were withdrawn from circulation on 11 March 1988.

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Goofs

The violinists (c.25 minutes and c. 99 minutes) mime very badly.

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Quotes

Stourley Kracklite: All fascists are meat-eaters.

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Connections

Referenced in The Tulse Luper Suitcases, Part 3: From Sark to the Finish (2004)

User Reviews

Greenaway Lite on Gravity

Why was this film made? Because someone talked Greenaway into trying to go mainstream. By this time, he had already made some of the most adventuresome films in history. This simple confection is sandwiched between `Zed and Two Noughts' and `Drowning by Numbers,' both of which are complex, intelligent, risky, erudite.

I can only imagine that he thought he could finance his serious work with a commercial success. Some might tag this as an accessible Greenaway film, but I hardly think it is Greenaway at all. Nor is the remarkable composer Nyman present.

All that remains are some lush compositions, studies in photographing monumental architecture, and these are pleasant enough. A subtext is fascist perfidy in architecture and the film takes a critical (visual) stance on Roman architecture. See here how all the buildings are from the emperors or Mussolini. No church architecture here which must have been a conscious omission for simplicity.

Everything about the physical fabric portrayed is dehumanizing, especially as compared to the containing space of the skin. As an architect myself, I can appreciate the message. It is a clever conceit, but it pales, utterly fades away, in comparison to his best: `The Falls,' and the `book' films.