This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.
A simple self-destructive drifter and tough small-time boxer with a brain injury that could kill him meets and falls for a cute beach carnival owner, Ruby, but also befriends a sleazy friendly criminal, Wesley, who's planing a big score.
Three 'Bukowskian' torrid nights in the life of a man in search of love. Harry, 12, is young and naive. Love, for him, is romantic love between princes and princesses demurely kissing each ... See full summary »
The tempestuous love story between Fernando, an older man who has recently returned to his crime-ridden drug capitol hometown of Medellin, Colombia and the gun-happy 16-year-old assassin ... See full summary »
Juan David Restrepo
Henry Chinaski never cared for the American dream, the thought of needing to become 'something' and fit into the system disgusts him. He believes that life is free and yours to live like you see fit, and if that in some cases involves copious amounts of whiskey then so be it. Henry spends his days drinking and listening to the radio, and he spends his nights drinking and fighting against Eddy who he thinks personifies shallowness and shameless self promoting. Sometimes in the middle of this he finds the time to jot down a few lines of poetry or a short story. After fighting Eddy and winning for a change Henry is thrown out of his regular bar where Eddy is a bartender. This leads him to seek another watering hole where he happens to find Wanda who is a barfly, in her own words "if another man came along with a fifth of whiskey, I'd go with him". Henry is not fazed by this thou and moves in with her. Of course Wanda immediately goes off and sleeps with Eddy, but after some clothes ...Written by
Erik Wallen <email@example.com>
The exterior and interior of the Golden Horn were actually Big Ed's bar in downtown Culver City at what was then Washington Blvd and Main Street (across from the Culver Hotel). The bar and hotel were torn down in the late 80s due to fire damage shortly after the film was released, and a parking lot sat in its place until construction on a new office, shopping, and dining structure (dubbed the "Culver Steps") began in 2017. The portions of Washington Blvd and Main St were also replaced with a pedestrian mall, so the area is virtually unrecognizable today...with exception to the still-standing Culver Hotel - saved due to its National Historic Landmark status. See more »
When Henry gets out of bed, Tully has terrible bedhead as their conversation starts. When it cuts back to her a second later, her hair has been neatly brushed. See more »
That Man Is Forward
written & performed by Rico Rodriguez
published by Anglo Rock, Inc. (BMI)/Rock Music Co. Ltd. (PRS)
courtesy of Chrysalis Records, Ltd. See more »
One of Mickey Rourke's best performances in a darkly funny film
"Barfly" was a fairly successful film when it was released and garnered generally favorable reviews. Roger Ebert gave it four out of four, and along with "Angel Heart," it helped solidify 1987 as the Year of Mickey Rourke.
However, almost twenty years later it isn't talked so much about anymore, and I feel it deserves to be. Rourke gives one of his finest performances as Henry, a loner who walks hunched over like the Hunchback of Notre Dame. Henry works at a bar as a runner - delivering orders and such. But he's always getting into drunken brawls with the bartender, usually losing.
One day Henry's life takes a turn when he meets a downtrodden woman (Faye Dunaway) and they embark on a relationship.
"Barfly" is a great film. Rourke was vocal later on in his career about his dislike of director Barbet Schroeder, but Schroeder's direction is part of what makes this film so good.
However, the absolute best aspect of the movie is Rourke's performance. Embodying the late writer Charles Bukowski (whose work this was based upon, and who had a brief cameo in the film), Rourke is unrecognizable - like Billy Bob Thornton in "Sling Blade," his entire demeanor and physicality seems to change.
I highly recommend "Barfly" - it's funny, dark, witty, touching and downright enjoyable. One of the best films of the '80s.
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