| Cast overview, first billed only: | |||
| Stéphane Audran | ... | Babette Hersant (as Stephane Audran) | |
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Bodil Kjer | ... | Filippa |
| Birgitte Federspiel | ... | Martine | |
| Jarl Kulle | ... | General Lorens Löwenhielm / Löwenhielm's Father | |
| Jean-Philippe Lafont | ... | Achille Papin (as Jean Philippe Lafont) | |
| Bibi Andersson | ... | Swedish Lady-in-Waiting | |
| Ghita Nørby | ... | Narrator (voice) | |
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Asta Esper Hagen Andersen | ... | Anna (as Asta Esper Andersen) |
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Thomas Antoni | ... | Swedish Lieutenant |
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Gert Bastian | ... | Poor Man |
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Viggo Bentzon | ... | Fisherman in Rowboat |
| Vibeke Hastrup | ... | Young Martine | |
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Therese Højgaard Christensen | ... | Martha - Father's Maid |
| Pouel Kern | ... | Pastor | |
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Cay Kristiansen | ... | Poul |
In a remote 19th-century Danish village, two sisters lead a rigid life centered around their father, the local minister, and their church. Both had opportunities to leave the village: one could have married a young army officer and the other, a French opera singer. Their father objected in each case, and they spent their lives caring for him. Many years later - their father is now deceased - they take in French refugee, Babette Hersant, who agrees to work as their servant. After winning the lottery, Babette wants to repay the sisters for their kindness and offers to cook a French meal for them and their friends on the 100th anniversary of their father's birth. It proves to be an eye-opening experience for everyone. Written by garykmcd
Flawlessly directed, written, performed, and filmed, this quiet and unpretentious Danish film is an example of cinema at its best, and if a person exists who can watch BABETTE'S FEAST without being touched at a very fundamental level, they are a person I do not care to know.
The story is quite simple. In the 1800s, two elderly maiden ladies (Birgitte Federspiel and Bodil Kjer) reside in remote Jutland, where they have sacrificed their lives, romantic possibilities, and personal happiness in order to continue their long-dead father's religious ministry to the small flock he served. One of the women's youthful admirers sends to them a Frenchwoman, Babette (Stéphane Audran), whose husband and son have been killed in France and who has fled her homeland lest she meet the same fate. Although they do not really require her services, the sisters engage her as maid and cook--and as the years pass her cleverness and tireless efforts on their behalf enables the aging congregation to remain together and the sisters to live in more comfort than they had imagined; indeed, the entire village admires and depends upon her.
One day, however, Babette receives a letter: she has won a lottery and is now, by village standards, a wealthy woman. Knowing that her new wealth will mean her return to France, the sisters grant her wish that she be allowed to prepare a truly French meal for them and the members of their tiny congregation. The meal and the evening it is served is indeed a night to remember--but not for reasons that might be expected, for Babette's feast proves to be food for both body and soul, and is ultimately her gift of love to the women who took her in and the villagers who have been so kind to her.
The film is extraordinary in every way, meticulous in detail yet not overpowering in its presentation of them. As the film progresses, we come to love the characters in both their simple devotion to God and their all-too-human frailties, and the scenes in which Babette prepares her feast and in which the meal is consumed are powerful, beautiful, and incredibly memorable. There have been several films that have used food as a metaphor for love, but none approach the simple artistry and beauty of BABETTE'S FEAST, which reminds us of all the good things about humanity and which proves food for both body and soul. Highly, highly recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer