A Turkish watchmaker is employed to mend a village clock that has not worked for some seven years. However, what seems like a simple and un-exciting task is plunged into a web of mystery ... See full summary »
About a young photographer and a confused young woman and a whatchmaker.woman looks for a missing face,photographer helps her,takes photos for her.then he finds a face ;whatchmaker.after 2 ... See full summary »
Yusuf, 14, and Kenan, 9, are two shepherd brothers. When their father was killed as a result of a blood feud, children flee to Istanbul to find their only relative, uncle Ali. However all ... See full summary »
Mahsun is homeless and unemployed. He lives in Rumelihisari (one of the most picturesque and oldest quarters of Istanbul), and tries to stay alive with the help of local fishermen. Mahsun ... See full summary »
Fuat is forced into an "advantegeous" marriage to a rich girl due to his family financial lowness. He, however loves another, Aysel. After he loses his best friend, Bedri, to suicide, he rebels against the system with heartbreaking results
Baris, a 5 year-old little boy, has to stay in a prison with her mother during her detention period. Baris develops a special relationship with Inci, a young woman who also stays in prison. She promises him that the kite will fly someday.
Anayurt Oteli is based on a novel by an Turkish author, Yusuf Atilgan. It tells the dilemma of a hotel receptionist, Zebercet, who is locked in to his workplace –he is the only employer of the establishment except a cleaning lady- and gradually becomes an obsessed loner with his lack of communication with any other human beings and shows an inclination toward sexual deviation. By this film, the late Turkish director Omer Kavur produced a very successful literary adaption which is so rare in Turkish cinema. The film is not only providing a thoroughly examination of a very bizarre character, but also brilliantly portrays a Turkish small town with its historical buildings, marketplaces, coffeehouses, pubs, courtrooms, barber shops, train stations, movie theaters along with an emphasis on the basic routines such as Friday prayers, local administration announcements heard from street loudspeakers, cockfights and so on. The hotel building also plays a major part in the film and can be easily considered as one of the film characters. The film was made in the late 1980s, but luckily time was not being so harsh on it. If anyone is interested with the higher limits of the Turkish cinema, I'm sure this is one of the films that should be revisited.
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