"Thou shalt not commit adultery" - a shorter, scaled-down version of 'A Short Film About Love', with a less complex plot and a different ending - though the basic narrative about the relationship ...
"Honour thy father and thy mother". Young Anka and her father have lived together since her mother's death, and have always been more like close friends than father and daughter. One day, Anka ...
"I am the Lord thy God; thou shalt have no other God but me." Ten-year-old Pawel and his father Krzysztof run their lives on their beloved home computer, while Pawel's aunt worries that his spiritual...
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Title: Dekalog (1989–1990)
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| Series cast summary: | |||
| Artur Barcis | ... | Young Man / ... 9 episodes, 1989 | |
| Olgierd Lukaszewicz | ... | Andrzej / ... 3 episodes, 1989 | |
| Aleksander Bardini | ... | Consultant 2 episodes, 1989 | |
| Olaf Lubaszenko | ... | Tomek 2 episodes, 1989 | |
| Krystyna Janda | ... | Dorota Geller 2 episodes, 1989 | |
| Piotr Machalica | ... | Roman 2 episodes, 1989 | |
| Jan Tesarz | ... | Taxi Driver 2 episodes, 1989 | |
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Stanislaw Gawlik | ... | Postman 2 episodes, 1989 |
| Krzysztof Kumor | ... | Gynecologist 2 episodes, 1989 | |
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Katarzyna Piwowarczyk | ... | Ania 2 episodes, 1989 |
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Maciej Szary | 2 episodes, 1989 | |
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Henryk Baranowski | ... | Krzysztof 2 episodes, 1989 |
This is a series of ten shorts created for Polish Television, with plots loosely based upon the Ten Commandments, directed by Krzysztof Kieslowski. Two of these, Dekalog 5 and 6, are shorter cuts from the feature-length films--Krotki film o zabijaniu (A Short Film About Killing) and Krotki film o milosci (A Short Film About Love), respectively. They deal with the emotional turmoil suffered by humanity, when instinctual acts and societal morality conflict. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
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The Decalogue is without doubt a monument of movie history. The ten films are apparently based on the ten commandments, but this relationship is tentative. Kieslowski himself commented that "the films should be influenced by the individual Commandments to the same degree that the Commandments influence our daily lives". The amazing thing about them is that they are much more than a series of abstract cinematic emblems. Assisted by superlative acting, they acquire each their own depth, their own real personalities and complex dilemmas. Kieslowski presents a cinematic view of morality that is about as sophisticated as it gets. A grand achievement of one of the great film-makers of the twentieth century.