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"I am the Lord thy God; thou shalt have no other God but me." Ten-year-old Pawel and his father Krzysztof run their lives on their beloved home computer, while Pawel's aunt worries that his spiritual...
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Title: Dekalog (1989–1990)
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| Series cast summary: | |||
| Artur Barcis | ... | Young Man / ... 9 episodes, 1989 | |
| Olgierd Lukaszewicz | ... | Andrzej Geller 3 episodes, 1989 | |
| Aleksander Bardini | ... | Consultant 2 episodes, 1989 | |
| Olaf Lubaszenko | ... | Tomek 2 episodes, 1989 | |
| Krystyna Janda | ... | Dorota Geller 2 episodes, 1989 | |
| Piotr Machalica | ... | Roman 2 episodes, 1989 | |
| Jan Tesarz | ... | Taxi Driver 2 episodes, 1989 | |
| Stanislaw Gawlik | ... | Postman 2 episodes, 1989 | |
| Krzysztof Kumor | ... | Gynecologist 2 episodes, 1989 | |
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Katarzyna Piwowarczyk | ... | Ania 2 episodes, 1989 |
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Maciej Szary | ... | Apartment Caretaker 2 episodes, 1989 |
| Henryk Baranowski | ... | Krzysztof 2 episodes, 1989 | |
This is a series of ten shorts created for Polish Television, with plots loosely based upon the Ten Commandments, directed by Krzysztof Kieslowski. Two of these, Dekalog 5 and 6, are shorter cuts from the feature-length films--Krotki film o zabijaniu (A Short Film About Killing) and Krotki film o milosci (A Short Film About Love), respectively. They deal with the emotional turmoil suffered by humanity, when instinctual acts and societal morality conflict. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
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I first saw this amazing series at the San Francisco Film Festival, and so had the privilege of experiencing it on a large screen. The program was sold as a package deal, and in 1990, not much was known about the director and the work itself was completely unknown. From the first frame, those of us who took a chance knew we had really hit a winner early on. Every night, two episodes were screened. It proved to be a real binding experience. Each subsequent viewing provides fresh insight. Timeless, it continues to fascinate and illuminate. Each episode could possibly stand on its own, and the fact that it was a miniseries only enhances its power. On the basis of this experience, I chose to see Denmark's THE KINGDOM, PARTS I & II when the Film Festival ran them in the mid-90's.